Payal Kadakia Quotes
I thought, 'I have ideas. I'm creative.' I just didn't see why I should be pigeon-holing myself in the business world or staying in corporate America when I already knew that I was capable of taking risks.
Quotes to Explore
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I sort of write onstage. I'll throw an idea out there, like Home Depot, and just start talking about it.
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We all sit in front of our mics and our scripts lay on music stands. Then the silliness begins!
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Listen to the Bee Gees and you can learn to be a great writer.
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We did a remake of Lost in Space. Filmed it in London for four months.
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Parodies of commercials are by no means new and have been popular going back to black-and-white TV shows of the '50s.
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Summer is a promissory note signed in June, its long days spent and gone before you know it, and due to be repaid next January.
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I was very good in all the maths and sciences.
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It makes no difference whether a work is naturalistic or abstract; every visual expression follows the same fundamental laws.
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If I do something caring for a friend, I have no doubt in my mind they would do it for me.
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I've always been an underdog. I feel like I beat the odds.
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The thing is, people can't complain about profit-oriented moves if they're only interested in profit themselves. You can't have it both ways. If they're willing to polish up a gift and sell it to make money, they can't really complain about the fact that somebody above them has sold them down the river. That's the way it goes.
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In the five months I wrote the final draft of 'The Association of Small Bombs,' I never fell out of the book. The world was real to me: plausible and powerful.
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I was trying to manage school and training for the Olympics and ended up not doing well at either. That was a big lesson in my life. My mother expected both.
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Part of adulthood is searching for the people who understand you.
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I've always done things the hard way. I was born like a piece of tangled yarn. The job is trying to untangle it, and I'll probably go on doing it for the rest of my life.
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I'm not a universalist, and the way I talk about final loss is this: People worship idols - money, whatever. Their humanness gets reshaped around the idol - you become like what you worship. That's one of the basic spiritual laws.
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You know the greatest thing about working on 'Fallon?' I get so many anonymous gifts.
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My husband believes that he can make a difference. He loves people.
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I've felt that if you dwell too much on your errors, you're dealing in the negativity of things. I don't like that. I'd rather work on the positive reinforcement, the things I did well.
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I go around the country and do a simple gag like, 'The property ladder is now a snake' and get a real laugh.
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There's things that I miss and there's adjustments to be made. But as far as playing, no regrets.
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In order to know how to talk, you have to know what to say. In order to know what to say, you have to get in touch with those deep-inside-of-you thoughts, feelings, needs, and yearnings. These are the parts of you that must be communicated if you are going to be known.
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The world at large doesn't always make sense to me, and there are safe havens. Linda Manz in 'Out of the Blue' is one of them.
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I thought, 'I have ideas. I'm creative.' I just didn't see why I should be pigeon-holing myself in the business world or staying in corporate America when I already knew that I was capable of taking risks.
