Paz Vega Quotes
Quotes to Explore
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I felt that Balanchine was my father towards me. He was the person I most admired and looked up to.
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I was raised in the Baptist church... but I didn't really have a real committed experience with Christ until my father died.
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My mother's Mohawk and my father is Scottish/German from Nova Scotia.
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My father was champion of North Africa and he beat the European champ. He was very good, a professional for 12 years. We're from a big family of boxers. My father has seven brothers.
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I remember for my 18th birthday, I was going to get a tattoo, and I made the mistake of thinking I was a man and telling my father, and he was like, 'Oh yeah? You better tattoo a new address on your arm, because you're not living here!' And that was the end of that discussion.
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Growing up in eastern Turkey, I was not really involved with the family business - sheep and cow farming, yogurt and cheese making. But I think I learned from my father the unspoken business language or instincts that go back thousands of years.
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My father's drinking was sometimes a problem. And a great deal went unspoken. He was not particularly acute or articulate about the emotions. But he was very affectionate towards me.
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If a country is to be corruption free and become a nation of beautiful minds, I strongly feel there are three key societal members who can make a difference. They are the father, the mother and the teacher.
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I always joke that my kids' favorite holiday is Father's Day. They love the way I celebrate the occasion by writing each of them a thank-you letter and a generous check. It's my way of letting them know how much I appreciate the great pleasure and privilege of being their dad.
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My father was a dark-skinned brother, but my mother was a very fair-skinned lady. From what I understand, she was Creole; we think her people originally came from New Orleans. She looked almost like a white woman, which meant she could pass - as folks used to say back then. Her hair was jet-black. She was slim and very attractive.
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I think my father had a certain degree of insecurity and need to achieve.
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My mother was American, and my father was from the Caribbean, and there was a big open door into the world of humanity and music.
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The trials my father went through were things most young black males have to go through. There was nothing he shielded from me, because it doesn't matter how you grow up, those who oppress will oppress. It's all completely relatable; everyone feels NWA.
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My father died when I was nine and a half. We were on relief for two years. They call it welfare now, but it was relief then... I never forgot the generosity of New York.
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Every father and son have conflicts.
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My father had the most amazing operatic voice, so I have a soft spot for that.
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On the day I was born, or possibly on one of the following days, my father went on a walk in the forested hills and thought of a name for me. His first son was called Daniel, and Samuel in memory of one of his forefathers.
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When I was very young I was sort of floored by the fact that my mother and my father and everyone I knew was going to die one day, and myself too. I had a sort of a philosophical crisis. I couldn't believe that we were mortal.
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We all had our reservations about possibly overdoing it but, you know, the script was great. Basically it stuck to the formula that worked for the first two movies, and for that reason I think this works as well.
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I don't get called very often to play innocents.
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I'm not the best person to analyze any kind of evolution in my work, but I do feel like it's been an ongoing struggle to basically teach myself how to tell the kinds of stories that interest me in comics form.
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How we come to be, and how we are what we are, is beyond any understanding. I have been obsessed by this, trying to understand the very nature of my existence.
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I can't play guitar, but I can sure make it howl.
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My father was a bullfighter.
