Jake Roberts Quotes
Quotes to Explore
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I was a good decathlete until I got with a coach that really knew how to train specifically for the event... I'd really describe it as like being a juggler; you have ten balls and you're trying to get them all in the air at the same time.
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I've been doing stand-up since I was 15 years old.
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Los Angeles was great fun because it was the polar opposite of Moscow in 1980. It was sunny and bright, lots of colours around, whereas Moscow was dark and oppressive.
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My hat's off to Shonda Rhimes.
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I started growing my audience in small clubs through word-of-mouth. I started making music that isn't necessarily commercially viable, and it's not necessarily marketable to my peers to a certain extent.
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I've got a PowerPoint deck that I use for internal presentations, and there's a slide on it that asks, 'What percentage of your game is combat versus exploration versus puzzle solving versus platforming,' and I refuse to answer that question.
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This quality, I mean Geoffrey was with me, was very easy doing - he loved me very much, I loved him very much, and we understood each other so well that it was a pleasure to make music.
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I have been very fortunate in my life. I think I have an angel that is always with me. Good projects always come to me.
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But no, I'm still living in LA and haven't dropped off the face of the earth.
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I suppose I am one of those lucky people who eats what they like and doesn't gain too much weight.
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I truly loved Jason Reitman. I was there on his first film, 'Thank You For Smoking,' and I'd go work with him to do anything.
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I don't even like to talk Lions too much just because the way our relationship ended.
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For more than 20 years, on every one of the great issues of freedom and security, John Kerry has been more wrong, more weak and more wobbly than any other national figure.
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Stand firm in your refusal to remain conscious during algebra. In real life, I assure you, there is no such thing as algebra.
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Spencer's god was Evolution, sometimes also called Progress.
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Coming from a background of being onstage, you're onstage for two and a half hours and you're in it for the whole time no matter what you're doing. Even if you don't have a line, you have to stay in it.
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I'm my own artist, and I see artists as movies. No one should try to change them for anything. If you don't like it, you just don't follow it. And if you don't like a movie you don't watch it. Watch another movie.
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I've never abandoned the novel.
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The market always, in theory at least, looks ahead. And it's always trying to take in every bit of information that it can as quickly as it can. You don't really care so much if the company made a dollar last year; you want to know what it's going to make this year.
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My mother is a Telugu, so I have been familiar with the language since childhood.
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Nearly everything possible had been done to spoil the game: the heavy financial interest; the absurd transfer and player-selling system; the lack of any birth or residential qualifications; the absurd publicity given to every feature of it by the press; the monstrous partisanships of the crowds.
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Ricky's [Reed] a lot like me. He always says we have the same brain. He does all different genres, and it just happens his first big hit as a producer was [Derulo's] "Talk Dirty to Me," and that Pitbull is his best friend. But he can actually - I swear - he can do every genre.
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In the first two projects I've worked on professionally, I've been doing ensemble work with other young women, which I think is pretty cool. And they both were directed by and written by women. It's been a wonderful experience of real ensemble support and women lifting each other up, and I feel really lucky for that.
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Every moment is an experience.
