Jamaica Kincaid Quotes
When I'm writing, I think about the garden, and when I'm in the garden I think about writing. I do a lot of writing by putting something in the ground.
Quotes to Explore
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In those years of the Fifties, in London and New York, I lived, without knowing it, in a time when the profoundest changes were happening: when a radical alteration was getting ready to happen in the way a society saw young girls. And, as a consequence, in the way they saw themselves.
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If we focus on our health, including our inner health, our self-esteem, and how we look at ourselves and our confidence level, we'll tend to be healthier people anyway, we'll tend to make better choices for our lives, for our bodies, we'll always be trying to learn more, and get better as time goes on.
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I have no problem with violence, I have no problem playing horrible people.
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The Hungarian ministry begged the king earnestly to issue orders to all troops and commanders of fortresses in Hungary, enjoining fidelity to the Constitution, and obedience to the ministers of Hungary.
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I think actors have a choice of drawing attention to themselves or living on the outskirts.
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Improv as an actor makes you present in the moment. You listen, you're attentive. You're not acting so much as reacting, which is what you're doing in life all the time.
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I don't see why OPEC countries should continue to cut production just to keep the price of oil high. This will not affect the industrial countries alone, it will also hit poor countries in Africa, Asia and Latin America. Who will look after them?
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America can enjoy a vital, fully functioning government, with all the benefits provided by Texas, while reducing Texas at the same time.
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Success in management requires learning as fast as the world is changing.
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People pretend to be nice; people pretend to be smooth and polite and everything, but this is only an appearance because the way we're built as human beings is only in paradox and contradictions.
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For gay people, we learned about our lives in secrecy and a lot of fear.
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Low interest rates are a big opportunity for investment. But the issue is that this money should go to the real economy, not the financial economy.
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Give the peasants neither life nor death.
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The most challenging thing is people do see me as a tennis player, but I've had a lot of opportunities because I am a tennis player. And I don't mind that.
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They hate whom they fear.
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A poet's work is to name the unnameable, to point at frauds, to take sides, start arguments, shape the world, and stop it going to sleep.
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When you've got children, it's easy to do that thing of keeping a tally of who woke up earliest and whose turn it is to put them to bed. But I think the important thing is to appreciate and love each other and to show that appreciation.
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People still do fall in and out of love and can and cannot express what they feel and are very much pained because the person they love is with somebody else. That's happening the whole world over, and I think it always has been.
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I love to play with the notion of who the protagonist is - who is the audience supposed to root for? I did it in 'Sicario' and feel it was the strength of the script - guiding the audience's allegiance toward the villain because they think he's the hero, until it's revealed that he's the villain.
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I always said to myself that if I thought I slipped and could not be the player that I want to be, then it was time for me to go.
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I had some experience when I joined 'The Sopranos' in the last season. My character married Christopher, and everyone loved Adriana. I knew what it was like to join a very beloved, secretive show and following a very iconic character.
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Bishops need to resist the defensiveness that institutions often fall back on in crisis moments.
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I think that the first 'Saw' was really more of a psychological film about two people stuck in a room, and the traps and games that fans seem to embrace so much now were quite a small portion of the film.
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When I'm writing, I think about the garden, and when I'm in the garden I think about writing. I do a lot of writing by putting something in the ground.
