Jameela Jamil Quotes
At no point in my thirty years have I ever felt truly represented by the fashion industry.
Quotes to Explore
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I think fashion is actually very good training for being in the tech world, because it's all about moving on to the next thing, looking for the next thing, not getting stuck in the past.
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I've always cared about fashion and what I look like. I don't like to spend a lot of money on designer clothes, but I do like to look good.
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I just feel it's important to make sure that behind the scenes is as filled with diverse voices as in front of the scene is.
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The biggest thing politically within fashion is that the clothing should be displayed on different body shapes.
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I like to think of my customer and make sure that season after season she is getting what she wants. Ultimately, I suppose I have an image of myself. That is the person I am designing for - a woman who loves and appreciates fashion and luxury, and somebody who wants to feel empowered with the best version of themselves.
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High fashion has become representative of stability in unstable places; that allows you to have a voice in the world stage.
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To be honest, before I joined the industry, I knew very little about the fashion world, and I hardly knew any name brands. Probably because the price tags were a little too high, and home girl needed to work.
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I am a fashion designer, so I guess that makes me an overpacker.
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Net-a-Porter offers catwalk fashion and trend-driven shopping, but for Mr Porter, while fashion is still important, style is key.
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I'm so tired of this vision of fashion of a diva with a big ego, and you think of big dark glasses to be pretentious and keep far away from the people.
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Humanity is acquiring all the right technology for all the wrong reasons.
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Most of my early records were not cohesive at all, just collections of demos recorded in different years. 'Odelay' was the first time I actually got to go in the studio and record a piece of music in a continuous linear fashion, although that was written over a year.
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Everything has changed, and nothing has changed more than the world of fashion.
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I have never felt anchored when it comes to fashion. I've always had to depend on a stylist helping me to figure it out.
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Looking at acting, in the movies or the theater, and the way I like to look at it, it's just an extension of childhood play... Kids play and imagine in a very intense fashion and they don't need any director telling them, 'You really have to believe in it.' They believe in it completely.
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I'm not the girl for superhigh fashion because I don't have the right body.
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I would definitely trade clothes with Lucy Hale. Her fashion sense is right on point, and I feel like she's never afraid to take risks with her clothes.
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I want to make affordable shoes of quality that are very fashion forward, chic, and that I'm going to wear.
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You can never forget the time you're living in because the past is the past and it will never come back. So to adjust your philosophy and creativity in fashion to the time you're living in is the most important thing.
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For one thing, I am still working as an adviser on fashion, design and colour and stuff.
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There are vogues and fashions in jurisprudence as in literature and art and dress.
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Things work in cycles.
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To me, steampunk and urban fantasy are naturally hinged together. And I think that's because I love the early gothic Victorian literature, and both things spring from that movement.
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At no point in my thirty years have I ever felt truly represented by the fashion industry.
