Philip K. Dick Quotes
In 1955, when I'd write a science-fiction novel, I'd set it in the year 2000. I realised around 1977 that, 'My God, it's getting exactly like those novels we used to write in the 1950s!' Everything's just turning out to be real.
Quotes to Explore
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If I go on a diet and work out, I'm always in a bad mood. I'd rather be a little heavier but nice.
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The idea of going on tour for the rest of my life with old works is not that exciting. As an artist I definitely think the work in future is going to be better than the work in the past, otherwise why do it?
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The great thing about America is I've never felt like an outsider. I'm just a different piece of the puzzle.
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The taps with the bat on the spikes are one for my grandmother, one for my grandfather, one for my little sister. Then the one on the helmet is showing faith in God that I can do it.
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Most people who went about saying a ghost had poked them with a brolly would be locked up somewhere.
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I love watching action. I remember watching Angelina Jolie in 'Tomb Raider,' and I was like 'Wow, it's so cool when a girl can go around and kick butt.'
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Man is the only animal that laughs and has a state legislature.
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You can over-think things. If the script's good, everything you need is in there. I just try and feel it and do it honestly. I also don't learn things for auditions, because I feel like it's just a test of memorising rather than being real.
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I hate to see people frustrated or leave a company for an opportunity they could easily have had at their current company if they had only asked.
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I developed in my head that I'm never any better than my last concert or the last time I played, so it's like an audition each time. You get nervous just before going onstage. I still have that, but I think it's more like concern. You're concerned about the people - like meeting your in-laws for the first time.
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To put it simply and a bit crudely: Our economy is demanding more well-educated workers than our schools are providing. To attract this scarce resource, communities have to offer more than just jobs.
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The sounder your argument, the more satisfaction you get out of it.
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Our worst comes out when we behave like robots or professionals.
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I am a big fan of the Gallagher brothers. At Liverpool, they came a few times; they are friends of Steven Gerrard. It was nice to meet them. When I was in Spain, I couldn't speak English, so I couldn't understand the lyrics. When I came to England, I started studying music and trying to understand what my favourite songs said.
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I feel lucky to be getting older. The fact that I made it to 30 and then 40 was big enough. So I can't get too down on getting older; otherwise, it kind of undoes everything I've fought for.
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I don't think you'll ever get enough picking.
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You could pack for a trip to Europe with the bags under my eyes!
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I usually write my music on a piano, and I really enjoy performing that way, because that actually shows how the music was in my mind before it actually became an electronic song.
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A mother is a school. Empower her; and you empower a great nation.
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Fighting is fun - fighting solves everything.
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Give a beggar a dime and he'll bless you. Give him a dollar and he'll curse you for withholding the rest of your fortune. Poverty is a bag with a hole at the bottom.
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Actually, it was in Paris in 1914 that I did my first collages, for an occultist friend. They were mysterious portico's which were supposed to replace mural paintings and which evoked the structure of palm branches or fish-bones. remark on the first collages Arp made, in different materials
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The intensive and concerted effort to exclude references to religion or God from public places is an attack on our founding principles. It's an attempt to bolster a growing reliance on the government--especially the judiciary--as the source of our rights. But if our rights are not unalienable, if they don't come from a source higher than ourselves, then they're malleable at the will of the state. This is a prescription for tyranny.
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In 1955, when I'd write a science-fiction novel, I'd set it in the year 2000. I realised around 1977 that, 'My God, it's getting exactly like those novels we used to write in the 1950s!' Everything's just turning out to be real.
