Brad Holland Quotes
New Wave art was the rage of the eighties. Now it's exhibited in oldies-but-goodies museums, usually in black-and-pink frames.
Quotes to Explore
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The essential relationship across American history between black people and white people is one of exploitation and one of plunder. This is not, you know, necessarily about, you know, whether you're a good person or not or whether you see black people, you know, on the street, and you're willing to shake their hands and be polite.
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One of my personal plights in this business is about playing 'The Sassy Black Girl.'
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When I'm around black or white people, I'm always in the middle. Especially when I am around black people; they will really tell how they feel about white people regardless of the fact that I'm also white and have white relatives. It's very interesting and can be really hard.
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The man does not beat your head because you got a Cadillac or because you got a Ford; he beats you because you're black!
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The biggest thing is education for young chefs and how they should focus on one cuisine rather than trying to imitate too many. It's like art - you can see the cycles from many past artists and new artists being inspired by past artists.
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To be a good artist, you have to serve the work of art and allow it to be what it is supposed to be.
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I take it seriously that it's a privilege and honor to be a role model to young girls, both black and white. It's not something I take lightly.
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Some painters transform the sun into a yellow spot, others transform a yellow spot into the sun.
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I think that it's hard enough being an adolescent and wanting so much to fit in with your peers, your schoolmates, and to erase any sign of difference, to be part of the group. And being biracial but also being black in a predominately white school marked me as different.
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In the old days, you had an audience of about 400, half of whom were committee members from somewhere or other sitting in their suits. It's become a real sports event with sports fans now.
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I feel like now fashion is just part of how I think about everything. When I send out a mood board to our contributors every month about our monthly theme, there are photos from our fashion shows, but there are also film stills and album art.
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Black people can be the most conservative, the most discriminating. Especially among ourselves. It wasn't white people who said all black men have to wear baggy jeans.
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There is a wide, yawning black infinity. In every direction, the extension is endless; the sensation of depth is overwhelming. And the darkness is immortal. Where light exists, it is pure, blazing, fierce; but light exists almost nowhere, and the blackness itself is also pure and blazing and fierce.
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At no point do I wish to be in conflict with any man or masculine thought. It doesn't enter my consciousness. Art is anonymous. It's not competitive with men. It's a complementary contribution.
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After two years at UCLA, I decided to leave. I was convinced that no amount of education would help a black man get a job.
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In a typical history book, black Americans are mentioned in the context of slavery or civil rights. There's so much more to the story.
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People only look at you and say, 'You are black and you are from the banlieue,' and all the doors are closed. I had the desire to be something else. If I see a door that is a little open, I will find a way to get through.
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Art is the lie that enables us to realize the truth.
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Cooking is an art, but all art requires knowing something about the techniques and materials. Using modernist techniques, you get more control, and that allows you to be more artistic, not less!
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Democracy is the art of thinking independently together.
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There's obviously more of us than there is men, so that's why its important that you feel like its someone you want to be with long term. You should make it impossible for a man/woman to want someone else providing all the things within reason.
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I'm just trying to do my best in the circumstances and am very happy for everyone else to do the same so I don't cultivate enemies.
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Before Charlottesville, it might have been easy to dismiss the plot of 'Mudbound' as no longer relevant. Now, I feel like audiences will be more receptive to the material - and to interrogating their personal histories after watching it.
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New Wave art was the rage of the eighties. Now it's exhibited in oldies-but-goodies museums, usually in black-and-pink frames.
