Mary Schmich Quotes
Quotes to Explore
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More than trends, consumers need functionality. Everything needs an element of fashion, but that's more like a spice.
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I sort of write onstage. I'll throw an idea out there, like Home Depot, and just start talking about it.
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Most of the good people of my generation... had offers to become editors, but the thought of going inside was just absolutely horrifying.
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People speak of the fear of the blank canvas as though it is a temporary hesitation, a trembling moment of self-doubt. For me it was more like being abducted from my bed by a clown, thrust into a circus arena with a wicker chair, and told to tame a pissed-off lion in front of an expectant crowd.
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Collecting more taxes than is absolutely necessary is legalized robbery.
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He has a right to criticize, who has a heart to help.
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But with nonfiction, the task is very straightforward: Do the research, tell the story.
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I've never worn fur, either. I'm a naturally squeamish person, and fur smells like dead animal to me.
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I don't like baseball movies. I like movies about moral courage and people who are indomitable and courageous and right.
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When the sacredness of one's word is matched in the attributes of his character throughout, all that constitutes a man, then we find that there is something in a man's life greater than his occupation or his achievements; grander than acquisition or wealth; higher than genius; more enduring than fame.
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The classy gangster is a Hollywood invention.
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When there were first rumors of us going after LeBron, some fans wondered how we could do that after all that happened. But after the 'Sports Illustrated' letter, every fan is thrilled to have him back. That was so heartfelt.
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There is a lot of negativity that you welcome into your life when you're an actor. You bare your soul for anyone to see.
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More and more people are finally realizing that in the heart of America, there's all this incredible music that wasn't widely heard before because it wasn't in the interest of those who feel they have to control the taste of the wider public.
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I have too many ideas for a lifetime.
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There's always a theme I'm drawn to, that we humans are not good or bad. We're all a mixture of both. We can have great compassion or commit great violence.
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The zeitgeist is for cutting spending and balancing the budget. But I do not want the Republican Party to be perceived as putting the budget ahead of people, jobs and education.
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When women's parts are being written, they are more and more for under 30s who are nubile and beautiful. Actresses over 40 are finding very little happening.
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I was a late bloomer. I wasn't a child performer.
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Because I select my players from a feeling that comes to me when I am with them, a certain sympathy you might call it, or a vibration that exists between us that convinces me they are right.
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In the scheme of life, in emotion and loss, I responded the way I did. I lost. I shouldn't have responded that way. I've had some people tell me that I did a great thing - sticking up for myself - but to me, personally, with the way that I handled my emotions, I lost. But I learned. That will not happen again.
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I knew that what I did visually could not be completely understood. I knew that certain aspects of the work need a long time to develop. You get the visual idea in two seconds, but this idea can be developed like like a theory. You can see later on if the theory was correct, followed, or completely abandoned. That's why the writing can advance what is done. This is more or less how I started to write: to be sure that people will not totally misunderstand what my goal was.
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'The Hunger Games' isn't for everybody. But neither is 'Anna Karenina.'
