Philip Schultz Quotes
When a child knows that he or she is dyslexic, that it's the way their brain is programmed, and it's not their fault, that makes all the difference in the world.
Quotes to Explore
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I vowed I would do everything I could to stop the Isle of Man counting towards the world championship. And it was stopped, so they love me in the Isle of Man.
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I never set out to become 'famous.' I mean, when you're 14 you think 'I'm gonna become a writer and people will want my autograph and that'll be cool,' but you grow up and you learn that's just not how the world works. I resigned myself to the fact that I would probably never be published and if I did it probably wouldn't be a big deal.
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The number of children is not growing any longer in the world. We are still debating peak oil, but we have definitely reached peak child.
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The great apologist has to have lived large and wild. If he's going to kiss the world's boo-boos and make up, he'd better plant some bruises first. A master apologizer has to be a Lord Byron, a Rick in Casablanca, a Lee Atwater, anyway.
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I had immigrant grandparents who came to this country and came for religious freedom and loved it, never made any money, Bronx, Brooklyn, but loved America. And they told me every day it's the greatest country in the world.
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I would like to spend Christmas in different countries all over the world. I love seeing how different cultures celebrate the holidays in their own unique ways.
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I knew that I was a gay boy fairly early; what was interesting to me was that my mother didn't know. She made me play baseball - I had no desire to do that. I said, 'Mom, I don't like direct sunlight, I don't like bugs, I don't like grass, and I'd rather be in the house playing with your fabric samples.'
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I always say, one way to connect with a working mother is to ask her what she has done before work that day!
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Being bombastic for the sake of being bombastic has just never been my take on the world.
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Our understanding of the human brain can be dramatically accelerated if we collect and share research data on an exponentially wider scale.
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Something in a writer's brain needs to watch everything with a detached, amoral eye.
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When we did Dynasty, it was the clothes. I think the clothes affected every woman around the world. I got so many letters, I think we made the designer a millionaire!
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For whatever reason, various outlets and individuals are committed to making the world think that young girls don't talk or care about feminism anymore, that it's totally over. But it's not.
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If a person with a bullet in Dallas can change the world, imagine a person with an idea could do.
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I am the freest author in the world.
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I think when you're young, you're a lot more open-minded, and sometimes you're a lot more perceptive about what's going on in the world.
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My younger sister had kids before I did, and managed to earn a master's degree while raising them as a single parent. Now she's a brilliant second-grade teacher. I'm in awe of her ability to juggle everything and still be a great mother.
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The concept of commercialism in the fashion and art world is looked down upon. You know, just to think, 'What amount of creativity does it take to make something that masses of people like?' And, 'How does creativity apply across the board?'
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Candidates don't have to deal with reality. They talk about the wonderful things they can accomplish as if advocating them is the same as achieving them. They live in a world of political make-believe in which everything from reconciling conflicting interests to paying for costly programs is easy.
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I want to interpret the natural world and our links to it. It's driven by the belief of many world-class scientists that we're in the midst of an extinction crisis... This time it's us that's doing it.
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Opinions of language are as interesting as opinions of arithmetic.
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Why is Caterpillar bad if we create a new job in India or China to receive U.S. exports? It makes no sense to me. We want to drive all the exports we can from the United States. We want to concentrate on all those consumers, outside contractors, customers outside the United States that we possibly can.
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I always like to believe that my work is about the expansion of the possibilities of the viewer. So if you have a sense of a heightened situation where there's an excitement, a physical excitement and an intellectual stimulation, there's just this sense of expansion. Because that's where the art happens. Inside the viewer.
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When a child knows that he or she is dyslexic, that it's the way their brain is programmed, and it's not their fault, that makes all the difference in the world.
