Mary Steenburgen Quotes
I feel like I'm attracted to characters who have one foot firmly planted on the ground. And their heads up in the clouds somewhere. Practical dreamers. They try to impress you that they've got this whole thing figured out, but there's more going on inside their heads than you might imagine.
Quotes to Explore
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I like to think I'm quite brave. I stand up for myself.
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I now believe that major labels can only work with people who care more about fame and money than the quality of the art they produce.
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What I'd like to pass on to my children is the thirst for knowledge. It's something I experience every day that I learned from my father. He always taught me that no matter how long you've done something, you can always learn something new and be better at what you do.
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It really is no different in the way that we make records and shoot music videos. I don't think of the movie as being a great leap out of my current profession.
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I call Washington 'the city of the perishable.'
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Avoid war, because that always pushes human beings backward.
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I don't care about how much other actors get.
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The country needs more than one-party dominance, as much as I believe the Democratic Party is the party for the middle class... We need to have a marketplace of ideas.
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I grew up on Marvel and, like, '2000 AD.'
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It's rumored that doing well in real estate is to be able to close a deal. I did not find that to be the case for myself, I was probably the worst closer out there and I didn't find that was true of my top super stars either.
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Before breaking into music, I had various jobs: forklift driver, driving a courier. But I was forced into working rather than doing it off my own bat because that was my dad's way: you got a job and paid your way.
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I'll admit it: I'm a control freak. I am. If I'm going to do something, I'm going to do it 110% or there's no point in doing it at all, especially if the work takes me away from time with my husband and children.
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One of the advantages of this found footage format is that you can have deliberately badly composed frames. Here we can put a camera in the weirdest angle and it kind of throws you off. You never know what you are supposed to be paying attention to. It's deliberate chaos.
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Winning, you can overlook so many things.
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I don't get far enough into a boring book to hate it.
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There's nothing funnier than the human animal.
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I always like to play roles where I either love the character or think that it's a story that I can tell better than anyone else. There are always reasons for me to do whatever I do.
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People, when they come up to me, are like, 'Did we go to high school together? Or did I make out with you at sleepaway camp?' And oftentimes, yes, that is the answer, because I went to a giant high school and made out with everybody.
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It was weird - writing is a stupid thing to do. I come up here in the morning to a pleasant room in the roof of my house and imagine I'm a black South American football superstar; then I have to imagine I'm a female pop celebrity who's pregnant. It's a completely mad way to spend your time.
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Two paradoxes are better than one; they may even suggest a solution.
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All rent is based on the monopoly power of private owners of certain portions of the globe.
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The door can never be closed for good to any player.
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It's possible this whole "Why do Latinos love Morrisey?" question will haunt us forever. Fortunately, Canadian academics are on the case.
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I feel like I'm attracted to characters who have one foot firmly planted on the ground. And their heads up in the clouds somewhere. Practical dreamers. They try to impress you that they've got this whole thing figured out, but there's more going on inside their heads than you might imagine.
