Mary Tyler Moore Quotes
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My peripheral vision has been severely limited because of my diabetes, which means I can see just fine looking straight ahead. But if I am at a function with lots of people, I am constantly bumping into people - even kicking them!
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Diets are for those who are thick and tired of it.
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Sometimes you have to get to know someone really well to realize you're really strangers.
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It may take a while, but there will probably come a time when we look back and say, 'Good Lord, do you believe that in the twentieth century and early part of the twenty-first, people were still eating animals?'
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I live in a kind of controlled awareness. I wouldn't call it fear, but it's an awareness. I know I have a responsibility to behave in a certain way. I'm able to do that.
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Reruns are wonderful because it usually indicates that they had something going for them to begin with and that's why you're still looking at them. And in both my shows, The Dick Van Dyke Show and the last one, they were so well written and so good they hold up.
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You truly have to make the very best of what you've got. We all do.
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You can't be brave if you've only had wonderful things happen to you.
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I know the food groups that I like to have and are good for me and those that I have to stay away from. And so, I don't need to know exactly what I'm going to eat, but I take my insulin probably 20 minutes before I'm going to sit down.
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Because of the enormous responsibility, diabetic kids tend to grow up to be the most mature, most realistic people who have a natural desire to reach outside of themselves.
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Well, Rhoda was, I think, the last actress that we saw. There had been so many wonderful actresses who were close, really close. But there was no magical epiphany.
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I loved working with Valerie. That was the most wonderful revelation to find that when we are on a set and we're playing our roles, we're like separated twins. We can almost finish each other's dialogue.
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Well, there are certain foods that I prefer not to eat because they're just such a jolt to the system.
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The kinds of shows that seem to work now, the comedy shows, are those which require very little attention. They're superficial and I like articulate comedy.
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Lou Grant was pretty much always Lou Grant.
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And the sculptor woman was so clever in the way she did it. She had the beret just about to leave my hand. So it's attached to this finger and that's what will keep it there. And I'm looking up at it, so there's no question but that that beret is going to fly.
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I just like the continue doing what I've been doing. A melange of funny, straight drama, television, movies, a little theater here and there wouldn't hurt. So if I can keep doing that, I'll be a very happy person.
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I don't know how to do the other, so I won't even consider television until the audience's taste changes.
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I live in New York simply because I don't know any better. I moved there when the show went off the air a couple of years after that.
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My grandfather once said, having watched me one entire afternoon, prancing and leaping and cavorting, 'this child will either end up on stage or in jail.' Fortunately, I took the easy route.
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And that's what the audience was feeling too, as they watched the show and as they watch it now. And overriding all of that is the way it was written. It was written honestly. There was never any manufactured laugh. There was never compromising of character.
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It was Grant's company and he made all the decisions. And that was just fine.
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No candy bars unless I've had a low blood sugar where I'm shaky.