James Corden Quotes
No boys liked Take That, and it was weird if you did because they danced around and wore matching clothes. But I didn't grow up with a dad who told me something was manly or not manly.
Quotes to Explore
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I think it's more important than ever to be as vocal as I can be about things I believe in outside of music.
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Jessi is a great person. She really is. She's been a friend to me all through all my bad times, and she's understood what I was doing. She came up with that one saying, which was great.
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In a family of all girls, I was always the 'boy' in my mind - the protector, the masculine one. No one would ever have to worry about me.
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Merlin really taught me how to concentrate, that you play each play as if it were the only play. And if you put all the plays together like that, then you'll come out on top.
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One of the greatest necessities in America is to discover creative solitude.
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For me, writing about hotels is like writing about being in a parallel universe. The sense of voyeurism, and the sense of removedness, and there are all these people silently above you and next to you.
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I've personally backed off from direct political involvement.
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If you write a novel alone you sit and you weave a little narrative. And it's O.K., but it's of no account.
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Most families had four, five brothers. But because it was just me and Darryl, we had to be twice as strong.
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I am not the only intense or intellectual cricketer. I played with other cricketers who could be pretty intense and intellectual.
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Poverty is an anomaly to rich people; it is very difficult to make out why people who want dinner do not ring the bell.
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I venture to say no war can be long carried on against the will of the people.
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In Hollywood they're getting younger, but believe me, it's not the food. It's the plastic surgery.
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Between the ages of 18 and 20, I made three hour-long films. One was a superhero film called 'Carbolic Soap.' One was a cop film called 'Dead Right.' And the other was called 'A Fistful Of Fingers.'
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Frankly, we actresses are so much in a hurry. We feel we have very few years to shine in our career, so we neglect our personal life. But for me, both aspects are equally important. I don't want to grow old and have regrets.
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I remember back in the early '70s, when I had a disastrous Grand Prix, my wife, Lynn, said to me, 'Don't worry, you're going to be a late boomer.' That's what she said to me, and I've always held that thought.
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And the success of the union movement, historically, has always been to benefit all working men and women - not just people who belong to the union.
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I got a great kick being in the Warner Bros. studios - that was really cool. I kept singing the 'Looney Tunes' theme song all day. I'm sure they haven't heard that one before.
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The Irish had tough times, but little compares to the experience on our soil of black Americans. That experience should be part of every American’s consciousness, and law enforcement’s role in that experience-including in recent times-must be remembered. It is our cultural inheritance.
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I think a lot of people who are child actors - it's a weird thing.
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The government union bosses are the most powerful politicians in Springfield.
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Of what good is democracy if it is not for the poor?
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I don't even think places like the National Youth Theatre (NYT) are necessarily about wanting to be an actor when you grow up. They're about meeting people from different backgrounds and different religions and different cultures, and mixing with people that you wouldn't ordinarily meet.
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No boys liked Take That, and it was weird if you did because they danced around and wore matching clothes. But I didn't grow up with a dad who told me something was manly or not manly.
