Quvenzhane Wallis Quotes
Quotes to Explore
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I've got some incredible fans actually - so loyal and they make me birthday cards and Christmas cards. I got this package of poems and artwork based around the songs. They've got this thing called 'Floetry' where they all have to put in artwork. They've set up their own competitions and stuff which is kind of amazing.
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We want a story that starts out with an earthquake and works its way up to a climax.
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I started as a teenager going up on commercials.
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After I won the Newbery Medal for 'From the Mixed-up Files of Mrs. Basil E. Frankweiler,' children all over the world let me know that they liked books that take them to unusual places where they meet unusual people.
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I never set out to become 'famous.' I mean, when you're 14 you think 'I'm gonna become a writer and people will want my autograph and that'll be cool,' but you grow up and you learn that's just not how the world works. I resigned myself to the fact that I would probably never be published and if I did it probably wouldn't be a big deal.
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I was singing in a mall, and I picked a girl to come up onstage with me. As I was grabbing her hand, I fell off the stage. It felt like I was in the air forever, flying like Superman.
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When I was growing up, we were taught in school that North Koreans, and especially the North Korean leadership, were all devils.
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I took a lot of time to open myself up to taking chances musically.
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My stand-up is quite good now, people say. It's just like a big conversation each time. Every gig is a rehearsal.
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I wish the press were paying more attention to the erosion of the Constitution and the slippery slope that we're getting into, by giving up the right of the Congress to talk about when and how and where we go to war.
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Doing the long lines - it looks easy when actresses do it: they just say it straight up, looks like they do nothing wrong, they just keep going, but it's not like that.
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I grew up riding horses since I was eight. I rode English style and competed every weekend. I had two horses, Scout and Camille, and they were my babies. It taught me a lot about responsibility and commitment. I hope horses will always be in my life.
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I think that kids need to grow up watching what I grew up watching - great entertainment; you know, Judy Garland and all these musicals that bring song and dance and acting all together in a polished way.
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Doing some of the 'Lord Of The Rings' press junkets got a bit claustrophobic.
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Have I done more business-related things to help my career grow? Yeah. I took the business end more seriously, hooked up with a manager, got some help, because at a certain point, you get frustrated when you go do auditions, and people say you did a great job, and then you don't get he part.
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I've been giving back since I was a teen, handing out turkeys at Thanksgiving and handing out toys at toys drives for Christmas. It's very important to give back as a youth. It's as simple as helping an old lady across the street or giving up your seat on the bus for someone who is pregnant.
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I went on tour with Beyonce before. I wouldn't mind doing something with her.
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I was growing up with a single mom who'd be at work when I came home from school. So I'd just turn on the TV. I grew up watching old Clint Eastwood westerns. I adopted him as one of my male role models.
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There is nothing deeper than to work for a year with the same artist.
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When you're young, you don't feel iconoclastic - you're just kind of doing what seems natural, what moves you.
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We have that storytelling history in country and bluegrass and old time and folk music, blues - all those things that combine to make up the genre. It was probably storytelling before it was songwriting, as far as country music is concerned. It's fun to be a part of that and tip the hat to that. You know, and keep that tradition alive.
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I always thought money was something just to make me happy. But I've learned that I feel better being able to help my folks, 'cause we never had nothing. So just to see them excited about my career is more of a blessing than me actually having it for myself.
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The Democratic power elite on some level feels delegitimized by its working-class, black and female constituencies. What it wants are the 'legitimate' votes of suburban, white, middle-class, affluent males. Even liberal voters and organizations tend on some tacit level to accept the idea that they are not the 'real' Americans the Democrats must pursue.
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I just keep doing what I'm doing and don't ever give up.
