James Frain Quotes
The problem with trying to make a film good and have it work for an audience is the problem of trying to tell a story well. The shape or the color of it doesn't matter.
Quotes to Explore
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After 'Sesame Street,' it's a hyper-familiar world to me and I have this childlike ability to ignore the fact that I'm talking to scraps of cloth. Every country I go to, I see posters promoting the film in different languages. 'Los Muppets' - I love that!
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Just because you are different does not mean that you have to be rejected.
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I'm not of the American ilk that, you know, your lover needs to be your best friend and know you inside out. I think he should know you well enough to please you. Otherwise, what secret will there be to tell him when you're ninety?
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People often try to disguise televisions. I always think that makes it worse. It is what it is!
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Well, I always say the law was meant to be interpreted in a lenient manner. And that's what I try to do, is sometimes I lean to one side of it, sometimes I lean to the other.
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I don't care about the quality of the film as a whole, but I loved 'Salt.' I loved it!
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ISIS is at war with America, but America is not at war with ISIS - not the president, nor the Congress, and certainly not the American people.
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It is as difficult to define or classify Islamic cinema as it would be a Christian, Jewish or Buddhist one.
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I'm in love with music, and I'm pregnant by it. It's like having twins. Or triplets. Or eight-lets!
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One hazard of our job on TV is people are always checking us out and noting every pound we've gained or haven't quite lost.
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The Wreckoning is a darker song. But the record is positive.
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The guy who says, 'I love the challenge of managing,' is one step from being out of a job.
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Democracy presumes that we're all created equal; competition proves we are not, or else every race would end in a tie.
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'Salaryitis' is when you become so accustomed to that salary that you no longer have the gumption to pull out of the rut and strike out on your own. It destroys the nerve of ambitious, imaginative men, and bowing to it has meant sure defeat for more people than any other sickness, mental or physical.
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I think that there's a tendency for actors who play strong women to have them take on all the worst characteristics of men, to become cold and detached and hardened.
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You can't do every movie - although I do a lot of them - and the thing I'm longing to do is... it's not that I think I'm funny... but I long to do a situation comedy.
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It's just difficult to see that people want to be like the actors and the performers and the politicians who are - who they see all the time, but the people that are probably having the most fun are the writers and the directors and the producers and the scientists, right, the people in the back that are getting to do the creative process.
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We all love to be admired and given compliments, but I don't really keep track.
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My sister and I said, Dad, are you doing to do anything about that? And he mentioned treatments other people sent him that he'd been working on. So we thought it would be kind of cool to give these guys a real script.
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I finally, you know, moved to Mexico City, where the film industry is. I started working there as a producer, which is a very, very valid thing for women to do, because we always produce for men, right?
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But a lot of my training can be done in Aston - a lot of the hard work, so to speak. But a new atmosphere, a new place, and it's good for me because I didn't want to get stuck in one spot, so coming home is good, back and forth, you know, where my roots are.
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I'm used to pressure. When writing must get done, I work in bed, on a bus, a train.
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I also have an idea for a book on biodiversity, and why and how we should be conserving it.
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The problem with trying to make a film good and have it work for an audience is the problem of trying to tell a story well. The shape or the color of it doesn't matter.
