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I see everything as a positive that can only help me.
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Every music journalist I've ever met has been stunningly beautiful.
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I am immediately disinterested when I hear mountain-climbing stories.
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I love painters because I don't paint, so I get to enjoy art; I like collecting paintings.
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I enjoy getting to work on 'Saturday Night Live', where I get to do people like David Paterson. And then, its like a different muscle to do someone like a bicycle guy on' Portlandia'.
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I think I was a terrible husband, I think I'm a terrible boyfriend.
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Sometimes in Portland I'm like, 'Who is funding this city?' It's doing great - there's all these new shops; there's a synthesizer store. Where is this coming from?
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I've always been a fan of instructional videos. The bass-player ones are insane. The music on them is fascinating. It's not something you hear on CDs or would really ever play in bands. You listen to it and are like, 'What is happening?' It's this blizzard of notes in weird time signatures, and they're trying to teach you that.
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The bands that were big in '77, like the Clash and the Sex Pistols and Talking Heads, I got into them in the early '80s. And it changed my life. It got into my DNA.
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I will admit that I purposely stress myself out. But I think I like stressing myself out. There's a glamour to, like, 'I've got to get to the airport!' I just like the caricature.
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I came away from 'Saturday Night Live' feeling very well represented. I felt, and I still feel like, they let me do so much stuff that I wanted to do. Stuff that I almost didn't even know what it was.
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I feel really lucky to get to do comedy, and music, at all. I want to do as much as I can.
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The way James Franco goes to new projects, he does it the way an artist should, which is with a question mark. Like, will this work?
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I can't relax. I'm not happy unless I'm working on stuff. 'SNL' is always a huge workload, as enjoyable as it is.
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Talking Heads were a big influence on my comedy. For David Byrne, every album had to be different. With 'Portlandia,' every season has to be different. You gotta reinvent the look, all of it.
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I travel a lot. I'll go back and forth, you know, West Coast-East Coast, but it's separated by segments. So it's not a daily thing.
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I get very, very little sleep.
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I was actually late to the punk movement because I was too young.
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At 'SNL' there's framed pictures of all the cast members, and it starts with Dan Aykroyd. It's linear. It just keeps going through all these people, and then you're at the end of it.
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I spent a lot of time lifting my drums into a van, playing to ten people night after night. I can't complain about anything now. That stuff was heavy.
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Ever since I was really little, I started doing a - I don't know how to put this - mentally challenged person on my street. I meant no harm by it, but I remembered how this person talked, and I did it for my mom, and she was not into it. She said, 'You can't do that!' But my dad really laughed.
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Prince is my favorite ever. I've liked Prince since... It's been a really long time. Even in junior high. I used to only like punk for a while, and I had all these rules for what kinds of groups were cool, and who was not cool, but as soon as I saw this one Prince video... It just broke all those rules. I was like, 'I love this no matter what.'
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There's something really easy and just somehow un-crowded about the Portland airport. Every time I go there I'm like, 'Why is this so easy and sweet?'
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I'm so glad cities have personalities, just like people have personalities. That's something that makes me smile.