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I don't know anything about the wine world at all.
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I love painters because I don't paint, so I get to enjoy art; I like collecting paintings.
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I love 'Saturday Night Live,' and I really feel like people who have left before me have always stayed with the show. They never really quite left, which is nice. Everyone kind of stays close.
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I think I was a terrible husband, I think I'm a terrible boyfriend.
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Every music journalist I've ever met has been stunningly beautiful.
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The way James Franco goes to new projects, he does it the way an artist should, which is with a question mark. Like, will this work?
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Sometimes in Portland I'm like, 'Who is funding this city?' It's doing great - there's all these new shops; there's a synthesizer store. Where is this coming from?
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I enjoy getting to work on 'Saturday Night Live', where I get to do people like David Paterson. And then, its like a different muscle to do someone like a bicycle guy on' Portlandia'.
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I feel really lucky to get to do comedy, and music, at all. I want to do as much as I can.
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I am immediately disinterested when I hear mountain-climbing stories.
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I will admit that I purposely stress myself out. But I think I like stressing myself out. There's a glamour to, like, 'I've got to get to the airport!' I just like the caricature.
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The bands that were big in '77, like the Clash and the Sex Pistols and Talking Heads, I got into them in the early '80s. And it changed my life. It got into my DNA.
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I came away from 'Saturday Night Live' feeling very well represented. I felt, and I still feel like, they let me do so much stuff that I wanted to do. Stuff that I almost didn't even know what it was.
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Talking Heads were a big influence on my comedy. For David Byrne, every album had to be different. With 'Portlandia,' every season has to be different. You gotta reinvent the look, all of it.
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I can't relax. I'm not happy unless I'm working on stuff. 'SNL' is always a huge workload, as enjoyable as it is.
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Since I was, like, an infant... I remember being in love with television. I loved listening to music. I wanted to be on records, and I wanted to be on TV.
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I travel a lot. I'll go back and forth, you know, West Coast-East Coast, but it's separated by segments. So it's not a daily thing.
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I get very, very little sleep.
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I was actually late to the punk movement because I was too young.
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At 'SNL' there's framed pictures of all the cast members, and it starts with Dan Aykroyd. It's linear. It just keeps going through all these people, and then you're at the end of it.
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There should be comedians who perform only for robots - I'm saying human comedians that only perform for robots.
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Ever since I was really little, I started doing a - I don't know how to put this - mentally challenged person on my street. I meant no harm by it, but I remembered how this person talked, and I did it for my mom, and she was not into it. She said, 'You can't do that!' But my dad really laughed.
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I spent a lot of time lifting my drums into a van, playing to ten people night after night. I can't complain about anything now. That stuff was heavy.
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I would see people on TV, or I'd see bands I really liked, and I thought, 'I want that.'