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I love painters because I don't paint, so I get to enjoy art; I like collecting paintings.
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I don't know anything about the wine world at all.
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I think I was a terrible husband, I think I'm a terrible boyfriend.
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I love 'Saturday Night Live,' and I really feel like people who have left before me have always stayed with the show. They never really quite left, which is nice. Everyone kind of stays close.
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Sometimes in Portland I'm like, 'Who is funding this city?' It's doing great - there's all these new shops; there's a synthesizer store. Where is this coming from?
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The way James Franco goes to new projects, he does it the way an artist should, which is with a question mark. Like, will this work?
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Since I was, like, an infant... I remember being in love with television. I loved listening to music. I wanted to be on records, and I wanted to be on TV.
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I enjoy getting to work on 'Saturday Night Live', where I get to do people like David Paterson. And then, its like a different muscle to do someone like a bicycle guy on' Portlandia'.
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Every music journalist I've ever met has been stunningly beautiful.
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Talking Heads were a big influence on my comedy. For David Byrne, every album had to be different. With 'Portlandia,' every season has to be different. You gotta reinvent the look, all of it.
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I feel really lucky to get to do comedy, and music, at all. I want to do as much as I can.
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I came away from 'Saturday Night Live' feeling very well represented. I felt, and I still feel like, they let me do so much stuff that I wanted to do. Stuff that I almost didn't even know what it was.
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I am immediately disinterested when I hear mountain-climbing stories.
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I can't relax. I'm not happy unless I'm working on stuff. 'SNL' is always a huge workload, as enjoyable as it is.
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The bands that were big in '77, like the Clash and the Sex Pistols and Talking Heads, I got into them in the early '80s. And it changed my life. It got into my DNA.
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I will admit that I purposely stress myself out. But I think I like stressing myself out. There's a glamour to, like, 'I've got to get to the airport!' I just like the caricature.
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There should be comedians who perform only for robots - I'm saying human comedians that only perform for robots.
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I travel a lot. I'll go back and forth, you know, West Coast-East Coast, but it's separated by segments. So it's not a daily thing.
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At 'SNL' there's framed pictures of all the cast members, and it starts with Dan Aykroyd. It's linear. It just keeps going through all these people, and then you're at the end of it.
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I was actually late to the punk movement because I was too young.
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I get very, very little sleep.
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Ever since I was really little, I started doing a - I don't know how to put this - mentally challenged person on my street. I meant no harm by it, but I remembered how this person talked, and I did it for my mom, and she was not into it. She said, 'You can't do that!' But my dad really laughed.
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I would see people on TV, or I'd see bands I really liked, and I thought, 'I want that.'
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I spent a lot of time lifting my drums into a van, playing to ten people night after night. I can't complain about anything now. That stuff was heavy.