Franz Schubert Quotes
One bites into the brass mouthpiece of his wooden cudgel, and the other blows his cheeks out on a French horn. Do you call that Art?

Quotes to Explore
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I think of other artists as generous when I get inspired by their work. That's why I like curating. You don't want to take someone else's art and have your way with it. You've got to be respectful of them.
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I had parents in the business and they made sure that the art was the biggest concern.
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I feel like Adele is a diva. Not in the bad way. She is one of the greatest voices of this industry and of her own art. What she offers is so unique that she's risen to such a status that very few artists can enjoy.
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I was at art school that had quite a celebrated film course as well. I tried for that film course when I was 18, but they said I was too young. I tried this audio and visual design course instead. Two years later, I reapplied for that higher course, but they said I was still too young and to try in five years.
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I was a fine arts major in college, and a painter for many years. And I found that, like writing, art is very similar.
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There was a time when I was practicing law in New York and I wanted to find something else to do. So I ended up leaving the practice of law to pursue my art and it just happened to be out of Lego bricks.
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Art is always criticized and always an outsider gets the blame.
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I design all my sets. With my tour and my album artwork, I co-design that with people who are better at drawing than me. But I've got a good imagination. I went to art school so I understand how to communicate my ideas.
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I feel the art world in New York has a stronger following than Britain. If you go to a New York art district on a Saturday morning, it will be so busy with families and openings - art is much more ingrained in the culture.
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Perhaps at some time in the future, when you ask a friend to come up and look at your etchings, you will plug in your collection of video art.
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All the art for Tool is done by the me and the band.
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The ultimate, if distant, aim of the Bauhaus is the unified work of art - the great structure - in which there is no distinction between monumental and decorative art.
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The art world is filled with vibrancy.
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You have to be very careful with the art you create and you put out.
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For me, art is not 'brooding.' It comes from someplace that is more fun and that has a kind of electricity to it.
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Like most sensible people, you probably lost interest in modern art about the time that Julian Schnabel was painting broken pieces of the crockery that his wife had thrown at him for painting broken pieces of crockery instead of painting the bathroom and hall.
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I realize that I live in the same environment that I did when I was a kid, but with less junk and better art.
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I didn't want to be an actress. I wasn't trying to be in film or an art gallery for me.
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I've spent most of my life embracing violence in wars and revolutions. Even a famine is a form of violence. Because I photograph people in peril, people in pain, people being executed in front of me, I find it very difficult to get my head around the art narrative of photography.
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I think some people who go into public life, if they go in needing the applause of thousands, they're never going to work out successfully in the end, because they don't know who they are apart from the crowds.
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True observers of nature, although they may think differently, will still agree that everything that is, everything that is observable as a phenomenon, can only exhibit itself in one of two ways. It is either a primal polarity that is able to unify, or it is a primal unity that is able to divide. The operation of nature consists of splitting the united or uniting the divided; this is the eternal movement of systole and diastole of the heartbeat, the inhalation and exhalation of the world in which we live, act, and exist.
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When I call to mind my earliest impressions, I wonder whether the process ordinarily referred to as growing up is not actually a process of growing down; whether experience, so much touted among adults as the thing children lack, is not actually a progressive dilution of the essentials by the trivialities of living.
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It's a big leap for us. We think it will show the world the next step for on-demand computing, just as we showed the world the first step.
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One bites into the brass mouthpiece of his wooden cudgel, and the other blows his cheeks out on a French horn. Do you call that Art?