Eithne Pádraigín Ní Bhraonáin Quotes
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I don't need a man in my life.
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I started writing instrumentals but Roma pointed out they were very visual, so she started writing lyrics .. and Nicky had this idea of creating a wall of sound and started multi-tracking my voice.
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What I was looking for was a romantic athmosphere that I could feel at home with. I think I've achieved that. I love my home. I have friends round. I take care to live in it, not to work in it.
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Regardless of how I live my life, there are people who develop fixations that are not healthy. It could be a visual thing, or it could be the music that they are drawn to. These people need help.
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I told the record company I didn't feel the need to be at red-carpet events. I wanted a career. But I wanted to keep myself intact as a person.
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The success of Watermark surprised me. I never thought of music as something commercial; it was something very personal to me.
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I get very inspired by traveling, by being home in Donegal ... all those wonderful moments I'll take with me to the studio. And they, ah, then become at some stage, a melody. That emotion that I loved at some stage will evolve as a melody.
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Over in the UK, the music press can be brutal. They can say wonderful things about you one week, and the next week, you're in the can.
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I don't have pets, I have two guard dogs; and I don't do my own shopping; it's a security thing.
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The ocean is a central image. It is the symbolism of a great journey.
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When you spend two to three years working on an album that I feel very happy with the end result, there is nothing I would change. Musically, I have achieved what I set out to do.
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I tend to listen to the classical composers: Rachmaninov, Satie.
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I and Nicky have got a lot of disagreements, but they are nearly always associated to music. Because we both are very strong-willing persons, we might sit in the opposite corners in the studio argueing about things. One does never know beforehand, whose idea works the best way.
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They are as much 'Enya' as I am.
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It wasn't so long ago that it was not popular to speak Gaelic in Ireland because the areas that Gaelic is spoken in were much poorer areas.
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I think they find it - they find me quite confusing, because - they know the music, but they don't know anything about me ... because I keep a very private lifestyle so they end up ... making up stories as such. But I don't really concern myself too much about them.
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I could have been more famous if I did all the glitzy things, but celebrity always seemed so unnecessary.
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Writing music on your own makes you think a lot about your life. Who are you? Would you change anything about yourself? This is where it comes from.
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When I was growing up, I'd be in the choir. My mum was the organist in the church, so I'd sing in the church.
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Fame and success are very different things.
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Wintertime for me is a time when I do a lot of my writing in the studio. It's a time I enjoy. And it's very reflective and a very calming time of the year. Throughout the year I gather a lot of musical inspirations, and this is where I bring them to the studio and see what will evolve musically.
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I find that music makes people just sit and listen, firstly. Then, they seem to interpret their own emotions with the music and it makes them ponder their own life a lot. And then they start to question: Am I happy in my work? Am I happy in my relationships? What am I striving for?
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When making music I sink myself into the process as deeply as I can and forget all of the success.
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The spring, summer, is quite a hectic time for people in their lives, but then it comes to autumn, and to winter, and you can't but help think back to the year that was, and then hopefully looking forward to the year that is approaching.