Eithne Pádraigín Ní Bhraonáin Quotes
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I started writing instrumentals but Roma pointed out they were very visual, so she started writing lyrics .. and Nicky had this idea of creating a wall of sound and started multi-tracking my voice.
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What I was looking for was a romantic athmosphere that I could feel at home with. I think I've achieved that. I love my home. I have friends round. I take care to live in it, not to work in it.
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Regardless of how I live my life, there are people who develop fixations that are not healthy. It could be a visual thing, or it could be the music that they are drawn to. These people need help.
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The success of Watermark surprised me. I never thought of music as something commercial; it was something very personal to me.
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Over in the UK, the music press can be brutal. They can say wonderful things about you one week, and the next week, you're in the can.
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I get very inspired by traveling, by being home in Donegal ... all those wonderful moments I'll take with me to the studio. And they, ah, then become at some stage, a melody. That emotion that I loved at some stage will evolve as a melody.
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The ocean is a central image. It is the symbolism of a great journey.
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I don't have pets, I have two guard dogs; and I don't do my own shopping; it's a security thing.
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I told the record company I didn't feel the need to be at red-carpet events. I wanted a career. But I wanted to keep myself intact as a person.
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I don't need a man in my life.
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I tend to listen to the classical composers: Rachmaninov, Satie.
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When you spend two to three years working on an album that I feel very happy with the end result, there is nothing I would change. Musically, I have achieved what I set out to do.
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I and Nicky have got a lot of disagreements, but they are nearly always associated to music. Because we both are very strong-willing persons, we might sit in the opposite corners in the studio argueing about things. One does never know beforehand, whose idea works the best way.
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I could have been more famous if I did all the glitzy things, but celebrity always seemed so unnecessary.
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I think they find it - they find me quite confusing, because - they know the music, but they don't know anything about me ... because I keep a very private lifestyle so they end up ... making up stories as such. But I don't really concern myself too much about them.
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They are as much 'Enya' as I am.
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Wintertime for me is a time when I do a lot of my writing in the studio. It's a time I enjoy. And it's very reflective and a very calming time of the year. Throughout the year I gather a lot of musical inspirations, and this is where I bring them to the studio and see what will evolve musically.
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Writing music on your own makes you think a lot about your life. Who are you? Would you change anything about yourself? This is where it comes from.
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I find that music makes people just sit and listen, firstly. Then, they seem to interpret their own emotions with the music and it makes them ponder their own life a lot. And then they start to question: Am I happy in my work? Am I happy in my relationships? What am I striving for?
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It wasn't so long ago that it was not popular to speak Gaelic in Ireland because the areas that Gaelic is spoken in were much poorer areas.
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When I was growing up, I'd be in the choir. My mum was the organist in the church, so I'd sing in the church.
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Fame and success are very different things.
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When making music I sink myself into the process as deeply as I can and forget all of the success.
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It's very easy for me to keep a low profile because the focus I feel is always on the music. Success and fame are two different things. And so I feel the success is always towards the music, which means that I can have a very normal and private lifestyle.