Flea Quotes
Turning 50 is a little bit of a 'taking stock' moment. I feel probably a little dumber. I don't think I'm as sharp as I was when I was younger, but I'm definitely wiser and less likely to make gigantic blunders of an intellectual, spiritual, emotional or physical type.
Quotes to Explore
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I actually think I have an audience member's sensibility about going to the movies.
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Lately, I've been doing a lot of tuning in and impatiently tuning out. As a longtime fan of talk radio, I don't think this bodes well for the long-term broad appeal of the medium.
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I just realized quite early on that I'm not going to be the type who can write a novel every two years. I think you need to feel an urgency about the act. Otherwise, when you read it, you feel no urgency, either. So I don't write unless I really feel I need to, and that's a luxury.
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You can't try and make something you think someone else will like. You can only make what you like. How can you make a song that Yo-Landi Visser likes? You don't know me. You'll never understand me.
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I have an abundance of enthusiasm; however, it would be foolish to think I can predict a future that doesn't exist.
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Most people don't really like to pose. It is difficult to get them to be present and relaxed under this kind of molecular scrutiny. I want them to understand I'm not simply painting them: I am painting them within a precise moment in time, as a shadow moves across their eyebrows. Then it is gone. The moment is over.
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Being bi-racial and being from the country, I can talk to guys like Travis Frederick from Wisconsin and Doug Free from Wisconsin. And then I can go over and talk to Dez Bryant. I mean, think about the two different standpoints you need to have a real conversation with both, to really understand what they've been through.
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Madonna can still produce a catchy pop song, but she hasn't expanded her artistic vocabulary since the 1990s. Her concerts are glitzy extravaganzas of special effects overkill. She leaves little space in them for emotional depth or unscripted rapport with the audience.
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We must think and act like a nation of a billion people and not like that of a million people. Dream, dream, dream!
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Read over your compositions, and when you meet a passage which you think is particularly fine, strike it out.
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The United Nations passed so-called sanctions again on North Korea, and they've said they 'will exercise their preemptive right to a nuclear attack.' I don't think this ought to be taken kindly.
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I still think reading something like 'Ulysses' takes a tremendous investment of time, but it repays all of it with so much interest.
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Our present moment is a mystery that we are part of. Here and now is where all the wonder of life lies hidden. And make no mistake about it, to strive to live completely in the present is to strive for what already is the case.
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I think the CG is an instrument to create reality. I don't think it's an instrument to create a heightened reality.
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Most movies are lucky to have one moment, one shot that you look at and you always remember that moment and that scene.
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When anybody goes to L.A. from London, there's always this slight sense of, 'What are you doing? Who do you think you are? It's never gonna happen.' It's the classic, good-natured British cynicism.
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I've had meetings with Fidel Castro. I've had meetings with Kim Il-Sung. I've had meetings with other dictators. I've met with the Butcher of Beijing. You know, I think it's important to hear, you know, each other's perspective.
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I think everyone in Hollywood works on multiple things because you never know what's going to happen with your projects.
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All you must do is accept all that is unacceptable to you.
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Maybe in the workplace I have more courage than other areas in my life.
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The thoughts of those moved by natural human love are almost completely fastened on the beloved, their hearts are filled with passion for it, and their mouths full of its praises.
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I judge my life by how miserable it used to be. If I could pay my rent, I was deliriously happy. Now I'm deliriously happy all the time.
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I was up around 340 pounds because the producers said they wanted a really big guy, and I'm not that big, you know! I've lost it all now though. I'm 285 pounds, my sexy weight!
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Turning 50 is a little bit of a 'taking stock' moment. I feel probably a little dumber. I don't think I'm as sharp as I was when I was younger, but I'm definitely wiser and less likely to make gigantic blunders of an intellectual, spiritual, emotional or physical type.
