Dakota Johnson Quotes
I did a movie where my character was obsessed with Bruce Lee, so I learned everything about Bruce Lee, read everything, watched his movies.
Quotes to Explore
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While you are improvising, you need to be prepared, and I like to have a sense of who the character is, what she likes to read, where she grew up, where we went to school, and what she has for breakfast, so that when I go to set, I'm free to explore.
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'Inside Out' - that was a really good movie. That's the first animated movie I saw since 'The Lego Movie.'
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If you learn the craft, you can make a movie and get by with tricks.
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I'm trying to work in studio movies, but they won't hire me.
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I'm not a movie star like other actors in the way that I need to walk with a bodyguard.
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In my mind, every single female character I've written is plus-size.
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When you choose your friends, don't be short-changed by choosing personality over character.
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When I did 'The Social Network', David Fincher told me that I managed to make a thankless character pretty awesome. I thought that was really cool because I think he's really cool.
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I think I would have been so much in awe of the movie set, the people and what everybody's job was, that I don't know if I would be able to concentrate on the character.
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What happens with every role, you have to trick yourself, you have to creatively find ways to explore the mental state of your character.
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I've always been a huge fan of the 'Pirates of the Caribbean' movies.
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When you are doing a long scene, you have dialogue and interaction to narrate the character. But making sense out of facial expression and reacting is difficult. Having said that, I think such challenges are good for learning.
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I had to write something and couldn't think of a plot, so I decided to write a Cinderella story because it already had a plot! Then, when I thought about Cinderella's character, I realized that she was too much of a goody-two-shoes for me, and I would hate her before I finished ten pages.
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I think books and movies are going to go a long way together in the future. I think we writers are very important material for directors.
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I want to try and work in different genres with different types of actors, on small movies and big movies.
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Having a lot of people suddenly depending on me to get the job done was a marvelous motivator. The book and movie deals seemed to flip a switch in my head, and off I went.
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Profitability comes from loyalty, productivity, and having a character base from which to work.
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Right now, I'm known for making movies. And I wonder if that's it. I don't know. It doesn't feel like it to me.
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There is a lot of Indian connect in 'Million Dollar Arm'. It is about two Indian boys, and we even shot quite a bit of the movie in India.
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I don't connect much with the present. I have more of an affinity for what came in the past.
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I love the comfort of daily life's routines: things like being able to read a paper on the subway. It's no accident that my favourite word is 'quotidian.'
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No one can keep track of how many people use Internet, how many machines it can reach, or even how many sub- and sub-sub-networks form a part of it.
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'Looper' is about what your 55-year-old self would tell your 25-year-old self over a cup of coffee. It's about finding love in the third act of your life. It's about overcoming trauma and the idea of true sacrifice.
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I did a movie where my character was obsessed with Bruce Lee, so I learned everything about Bruce Lee, read everything, watched his movies.
