Dakota Johnson Quotes
I did a movie where my character was obsessed with Bruce Lee, so I learned everything about Bruce Lee, read everything, watched his movies.
Quotes to Explore
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While you are improvising, you need to be prepared, and I like to have a sense of who the character is, what she likes to read, where she grew up, where we went to school, and what she has for breakfast, so that when I go to set, I'm free to explore.
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'Inside Out' - that was a really good movie. That's the first animated movie I saw since 'The Lego Movie.'
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If you learn the craft, you can make a movie and get by with tricks.
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I'm trying to work in studio movies, but they won't hire me.
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I'm not a movie star like other actors in the way that I need to walk with a bodyguard.
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In my mind, every single female character I've written is plus-size.
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When you choose your friends, don't be short-changed by choosing personality over character.
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When I did 'The Social Network', David Fincher told me that I managed to make a thankless character pretty awesome. I thought that was really cool because I think he's really cool.
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I think I would have been so much in awe of the movie set, the people and what everybody's job was, that I don't know if I would be able to concentrate on the character.
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What happens with every role, you have to trick yourself, you have to creatively find ways to explore the mental state of your character.
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I've always been a huge fan of the 'Pirates of the Caribbean' movies.
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When you are doing a long scene, you have dialogue and interaction to narrate the character. But making sense out of facial expression and reacting is difficult. Having said that, I think such challenges are good for learning.
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I had to write something and couldn't think of a plot, so I decided to write a Cinderella story because it already had a plot! Then, when I thought about Cinderella's character, I realized that she was too much of a goody-two-shoes for me, and I would hate her before I finished ten pages.
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I think books and movies are going to go a long way together in the future. I think we writers are very important material for directors.
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I want to try and work in different genres with different types of actors, on small movies and big movies.
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Having a lot of people suddenly depending on me to get the job done was a marvelous motivator. The book and movie deals seemed to flip a switch in my head, and off I went.
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Profitability comes from loyalty, productivity, and having a character base from which to work.
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Right now, I'm known for making movies. And I wonder if that's it. I don't know. It doesn't feel like it to me.
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I produced and directed a movie a couple years ago that won some awards that Samuel Goldwyn released called 'The Last Good Time'. I wrote, produced and directed it, but I wasn't in it.
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Call it loyalty, call it what you want, but I suppose I've got people up here who I'm really tight with, we've made a lot of great bonds over the last few years and I've got people in my corner I can trust.
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I was a wayward child, very passionate and very determined. If I made up my mind to do something, there was no stopping me.
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So we really need jobs now. We have to take jobs away from other countries because other countries are taking our jobs. There is practically not a country that does business with the United States that isn't making - let's call it a very big profit. I mean China is going to make $300 billion on us at least this year.
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The way they do things in the U.S., if you have a show, you'll option your actors for five, six or seven seasons. In the U.K., we just don't have the financing to be able to do that.
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I did a movie where my character was obsessed with Bruce Lee, so I learned everything about Bruce Lee, read everything, watched his movies.
