Dakota Johnson Quotes
I did a movie where my character was obsessed with Bruce Lee, so I learned everything about Bruce Lee, read everything, watched his movies.
Quotes to Explore
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While you are improvising, you need to be prepared, and I like to have a sense of who the character is, what she likes to read, where she grew up, where we went to school, and what she has for breakfast, so that when I go to set, I'm free to explore.
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'Inside Out' - that was a really good movie. That's the first animated movie I saw since 'The Lego Movie.'
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If you learn the craft, you can make a movie and get by with tricks.
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I'm trying to work in studio movies, but they won't hire me.
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I'm not a movie star like other actors in the way that I need to walk with a bodyguard.
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In my mind, every single female character I've written is plus-size.
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When you choose your friends, don't be short-changed by choosing personality over character.
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When I did 'The Social Network', David Fincher told me that I managed to make a thankless character pretty awesome. I thought that was really cool because I think he's really cool.
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I think I would have been so much in awe of the movie set, the people and what everybody's job was, that I don't know if I would be able to concentrate on the character.
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What happens with every role, you have to trick yourself, you have to creatively find ways to explore the mental state of your character.
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I've always been a huge fan of the 'Pirates of the Caribbean' movies.
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When you are doing a long scene, you have dialogue and interaction to narrate the character. But making sense out of facial expression and reacting is difficult. Having said that, I think such challenges are good for learning.
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I had to write something and couldn't think of a plot, so I decided to write a Cinderella story because it already had a plot! Then, when I thought about Cinderella's character, I realized that she was too much of a goody-two-shoes for me, and I would hate her before I finished ten pages.
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I think books and movies are going to go a long way together in the future. I think we writers are very important material for directors.
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I want to try and work in different genres with different types of actors, on small movies and big movies.
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Having a lot of people suddenly depending on me to get the job done was a marvelous motivator. The book and movie deals seemed to flip a switch in my head, and off I went.
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Profitability comes from loyalty, productivity, and having a character base from which to work.
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Right now, I'm known for making movies. And I wonder if that's it. I don't know. It doesn't feel like it to me.
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Television is such an evolving medium. When you're doing a TV show, it's not like you just shoot for six weeks and you're in an editing room with all of your footage. It's like a guitar or a car, you have to fine tune things. You stop doing what's not working, you work on what is working and you add things that do work.
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I'll get in the face of anyone I think is wrong.
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I've been lucky to work with people that I like most of the time. If I don't like them, I'll play head games with them to get their minds spinning.
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There is a decivilizing bug somewhere at work; unconsciously persons of stern worth, by not resenting and resisting the small indignities of the times, are preparing themselves for the eventual acceptance of what they themselves know they don’t want.
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Whoever moves into a community has a vested interest in it.
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I did a movie where my character was obsessed with Bruce Lee, so I learned everything about Bruce Lee, read everything, watched his movies.
