Sam Mendes Quotes
I want to try and work in different genres with different types of actors, on small movies and big movies.
Quotes to Explore
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I enter my studio at 9 a.m. I have lunch here, I return right away to my work and I go out to dinner at 8 p.m. My daily tasks vary very much.
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I was in a military family, so by the time I was 13 I'd lived in six different places.
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I was just finishing up 'Spotlight' in Toronto - I finished it on a Tuesday and started 'True Detective' on a Friday. So I was missing rehearsals, unfortunately, which I hate and why I never like to work back-to-back.
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I call myself a feminist, not a feminist filmmaker. If somebody asked me if I had a feminist sensibility it would be pretty hard to deny, but is it the theme of my work? Not necessarily. I'm interested in a lot of things.
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I love what I do. And why not be nice? I mean, I've seen people who work and they're apparently not enjoying it, and they're making sure everybody knows it.
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I got to work with legendary director Garry Marshall.
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My dad tells me that he took us to a pantomime when I was very, very small - panto being a sort of English phenomenon. There's traditionally a part of the show where they'll invite kids up on the stage to interact with the show. I was too young to remember this, but my dad says that I was running up onstage before they even asked us.
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I wrote 'Criminal' in 45 minutes when everyone else went to lunch because I had to have a hit. I can force myself to do the work, but only if someone is right up behind me.
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When nature has work to be done, she creates a genius to do it.
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I have a really beautiful life right now, so there is no reason to be hostile. I'm a husband, a father and a man who tries to do the right thing in life and in my work.
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Growing up in a small town gives you two things: a sense of place and a feeling of self-consciousness - self-consciousness about one's education and exposure, both of which tend to be limited. On the other hand, limited possibilities also mean creating your own options.
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You can't get emotional about your work.
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I was so worried when I left 'GH:' so scared I'd never work again.
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I think that it's hard enough being an adolescent and wanting so much to fit in with your peers, your schoolmates, and to erase any sign of difference, to be part of the group. And being biracial but also being black in a predominately white school marked me as different.
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I really have no preference between TV and film. I think that each individual project is its own thing and has a very different style.
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We tried every single way of giving birth. It didn't work. I wasn't too crazy about having to do a C-section and take all the drugs. Finally, I just had to be like, 'Let it go.'
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Profitability comes from loyalty, productivity, and having a character base from which to work.
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See, I believe that it is not true that different races and nations are alike. I'm profoundly convinced that that's a total lie. I think people are different. Sardinians, for example, have stubby little fingers. Bosnians have short necks.
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The Australian film industry is a small industry, so you have to really be flexible within working in different mediums. A lot of actors work in theater, film, and television, because there's not much opportunity in terms of employment there.
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Cooking is like love. It should be entered into with abandon or not at all.
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Fashion advertisers are committed to print. It's still a growth business, almost as much for the advertisements as the editorial content.
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I'm not afraid of problem-solving. There is always a way.
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I made a record of montage sounds in '99 under the name Korena Pang, but it was never put out because it didn't do it for me.
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I want to try and work in different genres with different types of actors, on small movies and big movies.
