Philipp Meyer Quotes
I'm interested in getting deep into a person's consciousness and doing so in ways in which the narrator is secondary to the character's own thoughts.
Quotes to Explore
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I've had a pretty charmed life, so there's nothing that I need to take too seriously right now.
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Musical compositions can be very sad - Chopin - but you have the pleasure of this sadness. The cheap consolation is: you will be happy. The higher consolation is the pleasure and recognition of your unhappiness, the pleasure of having recognised that fate, destiny and life are such as they are and so you reach a higher form of consciousness.
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Los Angeles is peopled by waiters and carpenters and drivers who are there to be actors.
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I found it an interesting portrait of a marriage in exploring notions of how one partner supports the other, whilst not jeopardizing the greater good - which is the family.
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I believe the answers to most problems that confront us around the world can and should be approached by engaging both friend and foe in dialogue. No, I don't naively think that dialogue always works, but I believe we should avoid the rigidity of saying that dialogue never works.
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As an actor there's a lot of scrutiny and, even when you've had success, it becomes about sustaining that success. A friend of mine described it as a peakless mountain. Even for De Niro there's Pacino and for Pacino there's De Niro.
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I don't want to be a bust.
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I want a future where my children feel safe and appreciated and proud to be who they are. My heart is one with all the Arab Spring heroes, no matter how small they think their role is. I know they believe, like me, that we are working for a world whereby an Arab can live with the other in a respectful and dignified way.
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If my child had prejudice in his head, I'd be ashamed. I would see it as my failure as a parent.
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I shall have a beautiful dream tonight. I also wish everyone to have a beautiful dream.
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The most amazing set where I've shot 'Game of Thrones' is definitely Croatia, in Dubrovnik. It's such a stunning country with lots of good watersports there as well. Just a beautiful, beautiful place.
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I went to high school in Los Angeles, and I grew up riding horses, so that was kind of my life. I always wanted to act.
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The pace of innovation may slow down or speed up depending on the appetite in the public markets, but the constant progress of technology doesn't really ever stop. There's always opportunities for new ideas and creative people to go build great things. I'm always interested in learning about those kinds of opportunities.
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When I was little, we had a Golden Book that had all these Disney characters in one portrait on the first page. My dad used to read from it every night. We'd play this game of find Pluto or find Donald Duck. He'd read us stories and do all the voices. Those are great memories.
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As an actor, I've always said, half the audience is going to love you, half is going to hate you so just live with it. It's easier that way.
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The kids from the streets don't want preaching or messages. They want what they can identify with. They want to hear about the reality of their situation, not fairy tales. They don't care if it's ugly; they just want reality.
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The more energy-efficient we become as a nation, the less we need to develop additional energy sources.
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I was an escapee of childhood. I always wanted to grow up.
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I love being at home now, improving my cooking. I've got a really bad memory, so my first attempts were a disaster - I'd forget what ingredients to put in. But I do a lasagna that's a crowd-pleaser, and a good lemon drizzle cake, which I take to my mom's for the Sunday roast to fatten the family up.
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I think, to many people in the company, I am somewhat of an outsider.
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I don't think I knew that you could be a novelist. I think a lot of my students are in the same condition. I thought it was unreachable, that it was sort of dead people. It took me a long time - I think I was well into novel writing before I really thought, 'Actually, this is a valid pastime.'
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Is it not quite a modern vice, this habit of draining a canvas at a single glance as some people gulp down a cocktail, and complaining of unintelligibility and complication whenever a work requires study and patience on the part of the spectator?
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I'm still watching all those old-timers really going along, and I'm enjoying it so much, not just looking at the pictures, but looking at the acting. Paul Muni. Beautiful character. Edward G. Robinson. Jimmy Cagney. All those old boys. You don't find those characters anymore.
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I'm interested in getting deep into a person's consciousness and doing so in ways in which the narrator is secondary to the character's own thoughts.
