James Jannard Quotes
There's talent on the streets, kids with ideas who have stories to tell and never get a chance.
Quotes to Explore
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I sort of wrongfully judged 'Mamma Mia!' for so long. I thought of it as a jukebox musical that I wasn't interested in. I was so wrong.
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Soon I knew the craft of experimental physics was beyond me - it was the sublime quality of patience - patience in accumulating data, patience with recalcitrant equipment - which I sadly lacked.
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Most of the time, the lyrics are kind of like my secret messages to my friends or my boyfriend or my mom or my dad. I would never tell them that these songs are about them or which specific lyric is about somebody. Often, when I sit down to write a lyric, it is in the heat of the moment, and something has just happened.
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Be a good-looking corpse. Leave a good-looking tattoo.
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Searchers after horror haunt strange, far places.
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One of the issues I kept saying to my students is you have to learn to interrupt. When you raise your hand at a meeting, by the time they get to you, the point is not germane. So the bottom line is active listening. If you are going to interrupt, you look for opportunities. You have to know what you're talking about.
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Why would Senator Allen want to oppose saving money for the state? It's simply another example of Republicans fighting the governor tooth and nail against any measure where she might be able to turn the state's budget around.
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Islam was hijacked on that September 11, 2001, on that plane, as an innocent victim.
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I learned very early on in life that not everyone wants to hear every fact in the world, even if you want to tell them everything you've ever read.
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I'm very ambitious, but I also love myself - which means I try to take care of myself.
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The brutalities of progress are called revolutions. When they are over we realize this: that the human race has been roughly handled, but that it has advanced.
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I've always kind of been an in-the-moment kind of person. I don't think that far in advance or have any idea what's around the next corner.
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The whole idea is whatever you do, have fun with it; try to make sure that it's quality and something you don't mind putting your name on.
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I didn't particularly like being objectified.
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So if I get these actors for 30% of their price by coming in so late with an offer when they know they are not getting another offer then I do it this way.
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For my own part, I have been wont to converse with poverty; and however disagreeable a companion she may be thought to be by the affluent and luxurious, who were never acquainted with her, I can live happily with her the remainder of my life if I can thereby contribute to the redemption of my country.
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When I was 13, I thought I was pretty hot stuff because I knew BASIC programming, self-taught on the family's Commodore 64. One of my crowning accomplishments was writing a silly little program that showed a crudely-drawn Space Shuttle lifting off in a cloud of pixelated smoke.
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I saw that nothing was permanent. You don't want to possess anything that is dear to you because you might lose it.
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I just always want to play people. I don't want it to be necessarily that you relate to the character as female or male, but that you relate to them as a person. That's the driving force.
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It doesn't matter where it is in the world or who I'm making the movie with; that's the closest thing that I've got to a sense of placement.
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The video for 'Whatever' is kind of a documentary in a way. It's showing that love can last. Not just in your early 20s or your late 30s, but in your 50s, 60s and 70s. There's an awful myth out there that when you get married, love and lovemaking fade. It's not true.
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My only regret in life is that I didn't spend as much time with my kids as I now wish I had.
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There's talent on the streets, kids with ideas who have stories to tell and never get a chance.
