Lou Doillon Quotes
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I love acting; I love movie sets and movies, but, at the same time, there's something about the position of women in that world that frightens me a lot. I find it nearly inhuman to be an actress.
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I'm a bit of a contrarian, so I like the idea of going on stage without makeup, without the hair being done, in the jeans and shirt I've been wearing all day. At first that was an issue, because I didn't want to be disrespectful.
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As a little girl, I had huge fantasies about music.
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As an actress, you're part of what the director is creating, and as a model, you're representing a designer's vision.
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I'm in my father's car at age 9 or 10 crying to Leonard Cohen's 'Famous Blue Raincoat,' thinking that you could write nearly a love letter to a man who betrayed you by having an affair with your wife. I was thinking how wonderful and pure music can be for explaining situations.
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There is an image of me in France that is a long stretch from who I really am. I read about this girl who lives in grand hotels and has affairs with American actors - I don't recognise this girl at all. Sometimes it makes me depressed. Sometimes it makes me laugh. Sometimes I think, 'Gosh, that sounds nice, I'd love to be that girl.'
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'Blanche' opened a new door for me without really making me more famous. 'Blanche' was a risk, but that is the only thing that excites me in this profession. The knowledge that I am an actress who takes risks lifts my soul.
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My mother taught me to wash my hair as little as possible, and to rinse it with Coke before a shoot for a sexy, tousled look.
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The whole point of art school is that you're going to be able to have nudes all day long and a teacher who is there to move you. It's great. I did a tiny bit in the one school in Paris, and it was wonderful because you'd have a nude taking a crazy position, and you'd have 10 seconds to do a drawing. Then you'd do a one-minute drawing.
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I was always the funny-looking girl. I couldn't compete with the Brazilian girls. My nose is off, my ears are too big. But I think it's my personality that these designers were drawn to.
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I always have lipstick, and use the same lipstick for my cheeks as blush, so that it looks very natural. It's a good trick I learned from my mother. I like NYX or MAC because they have a lot of pigment and they're matte.
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To be an actor is to be ambiguous in every form, which is a very hard way to live. You represent desire: the desire of the director and the desire of the audience, even if it's a subconscious desire. If a director is to work with you for two months, he must be in love with you in some way or another.
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The English and Japanese are the most inventive dressers in the world, but French girls are the most beautiful. I am still always amazed by the style of French girls, and the only reason is that they dress according to themselves and not according to fashion. They know what suits them.
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What I realized is that the desire for making 'Places' came from the fact that I've got this strange situation with having been born in the glitter, born on the other side of the mirror that everyone fantasizes about.
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The more you're writing absolutely honestly, and absolutely bare of intention - even if it feels absolutely personal and small because it's at your own scale - other people relate to it much more.
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It took me so long to get to the music, where that was what I wanted to do all my life. It took me so long to realise that it wasn't really movies that I wanted to do, but to be on stage singing.
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Luckily, I was raised by a kind of gypsy family, which is why I always get along better with people who worked in circuses than with kids of other actors. My mom was so carefree with us in a beautiful way. We were used to sleeping anywhere.
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My mother is old-fashioned; she raised us like girls from a 19th-century book. My sisters and I are known for being the most polite girls in France. My mother wanted us to be like royalty: never ever will you be caught being rude, or superficial or being a star or whatever.
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I was raised by muses. Women who had men in awe of them and who wrote them movies and wrote them music.
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With fashion, my mother was an icon, but she never lived it in the sense that she was never obsessed with fashion. When I was a young girl, my sister wasn't doing fashion, so I started fashion thinking, 'I'm going to do something that they haven't done yet.' That was my silly scheme at the time.
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I try to not listen to all the girls I admire musically - like Nina Simone - just so I don't find myself imitating them, even if it's subconsciously.
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I have a strong and strange character, and I've rarely met directors who knew what to do with this character. One of the few who did was my father, and in the theatre, Arthur Nauzyciel.
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I think I was pretty much hated in France. The French press ignored me. There was a movement when the children of celebrities faced strong animosity.
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The French press can be very harsh, and the one thing they can't bear is multi-tasking. They despise it to the highest degree, so from the age of five I've been taught that if I did two things at the same time, it meant I didn't know how to do one. It's an obsession that they have.