Lou Doillon Quotes
With fashion, my mother was an icon, but she never lived it in the sense that she was never obsessed with fashion. When I was a young girl, my sister wasn't doing fashion, so I started fashion thinking, 'I'm going to do something that they haven't done yet.' That was my silly scheme at the time.
Quotes to Explore
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Burroughs called his greatest novel 'Naked Lunch,' by which he meant it's what you see on the end of a fork. Telling the truth. It's very difficult to do that in fiction because the whole process of writing fiction is a process of sidestepping the truth. I think he got very close to it, in his way, and I hope I've done the same in mine.
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Reconciliation is a decision that you take in your heart.
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I do not believe in any legacy. The past is dead and gone.
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The music industry's very laid back while I'm very, very aggressive.
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I didn't know I was compared to Elizabeth Montgomery, but I think that I'm in very good company with her.
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Any pitcher who might throw at me should know I'm not giving up my day job or trying to get anyone else's job. I just can't think of anything cooler than being one of the boys of summer!
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Make no mistake: the anti-war voices long for us to lose any war they cannot prevent.
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I look forward to working alongside Univision's exceptional team as we work to further realize the substantial growth potential of this dynamic organization.
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I always follow what my spirit tells me to do.
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Having two kids, I don't get out to see stand up much anymore.
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To all my people back in Nashville who have been there from the start, you put your faith in me. You were there for the long haul.
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A sentence that clots in your mouth is unlikely to flow in your mind.
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I think that most people who hire me to do a remix just want it to work in a nightclub, whereas when I'm writing my own album, I don't have to worry so much about 2 A.M.
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A song in a musical works best when a character has to sing - when words won't do the trick anymore. The same idea applies to a long speech in a play or a movie or on television. You want to force the character out of a conversational pattern.
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The go-to reflex all over Hollywood is still likeability. I've always had a problem with it because I think I have a weird barometer in the sense that some of the characters I've cared about the most in movies are characters that are often thought of as despicable.
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It is disheartening when you read an interview with an actress, and it starts by describing what she is wearing.
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Gloves make you so much more delicate.
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Whether you watch 'Law and Order' all the time or not, everyone knows what it looks like. Everyone knows what the courtroom looks like, what the police precinct looks like.
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My idea of good poetry is any dog doing anything.
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You see these thick curtains shut out the daylight: artificial light suits me a great deal better; it's absolutely steady, and much more exciting.
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Making your dad happy is - especially for an Italian Catholic girl, I'll tell you - it feels really good.
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As for the world of fashion and celebrity, I have the usual interest in the human comedy, but the problems of depiction absorb me more.
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Don't get me wrong. I don't take anything for granted. But it seems like the better I play, the more attention I get. And I can't get away from it. You play great, you get attention. But I hate attention. It is weird. I'm in a bind. The more you win, the more they come.
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With fashion, my mother was an icon, but she never lived it in the sense that she was never obsessed with fashion. When I was a young girl, my sister wasn't doing fashion, so I started fashion thinking, 'I'm going to do something that they haven't done yet.' That was my silly scheme at the time.
