Lou Doillon Quotes
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I have a strong and strange character, and I've rarely met directors who knew what to do with this character. One of the few who did was my father, and in the theatre, Arthur Nauzyciel.
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I think I was pretty much hated in France. The French press ignored me. There was a movement when the children of celebrities faced strong animosity.
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I've always had a strange acting life. I'm the daughter of a director, and a very French, typical director who fell in love with every single one of his actresses. And that's also something that's kind of normal in the acting business, because everything is based on desire, one way or the other.
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The French press can be very harsh, and the one thing they can't bear is multi-tasking. They despise it to the highest degree, so from the age of five I've been taught that if I did two things at the same time, it meant I didn't know how to do one. It's an obsession that they have.
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I'm a very compulsive person, so I spend most of my time drawing or writing my diary, patching things up and carving bits of wood - I've carved two of my guitars.
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I always lived with guitarists. When they would leave, I would just pick up their acoustic guitars and start doing finger picking and write.
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Singing is the rawest thing. Having been naked in films or naked in photo shoots, it's nothing compared to singing. It's absolute nakedness. You are stripped bare! It's very strange. Acting seems much easier, in fact, because you are putting on a costume - whereas here, you are taking everything off.
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I've always found that fashion is, first of all, mainly for yourself. So my two icons are, on one side, Little Edie from 'Grey Gardens' and, of course, like all my generation, I'm influenced by Kate Moss.
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I have a huge scarf from Hermes that I bought the day I signed my record deal. I had never had an Hermes scarf. And I ran to buy one, thinking, 'Now, this is a symbol, I need one, I need an Hermes scarf,' which actually now I'm quite embarrassed about. Most of the time I twist it so much that no one notices it, and just bundle it around me.
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I hate short hair on men - the 'real' man is something I don't know. My dad was always playing with hairbands, making rings, while the women were wearing jeans, white T-shirts and Converse. That was the uniform at home.
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My mission is to get on the stage and say, 'Listen, I'm a woman, I'm free, I'm a mother, I'm a lover, I'm a friend; I'm shattered by men most of the time, but I'll keep falling in love with them because it's the most thrilling thing in the world; that's what makes me human.'
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I always loved singing, but I thought it was like drawing - just something you do in your own little corner to calm yourself down. But when my friend, the French songwriter Etienne Daho, listened to my songs, he was so moved that told me that I had to do a demo, share them with the world.
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Home has always been wherever I am. I'm not very attached to walls - or people, for that matter - so I've always loved travelling around. A book in my back pocket, a diary, and a pen is all I need to call any place home.
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If Rihanna stripped it all down morally rather than with her clothes, perhaps we'd get closer to Nina Simone. She's talented, but all we want is to sing the truth. If Britney Spears was to sing closer to her heart, she might have been the new Bobby Gentry or Dolly Parton.
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The whole process of music for me is something absolutely honest and really naked and bare, so I never forced myself to write in French.
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I was such a tomboy. I had absolutely no bosom, and I wore my hair really short - shaved, like a boy.
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I listen to a variety of music. The only common point is strong lyrics; I'm more obsessed with lyrics than music. I need to hear a form of truth, and if it's a hard truth, even better.
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I picked up the guitar very late, in a very pagan way - I didn't know how to play, but I knew I had to. I drew and I had a diary, but it wasn't enough; I needed to express more. As soon as I learned two notes, I started to tell a story, which is why, I guess, my music resembles blues or folk.
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The silhouette is the most important thing in clothes. Every French girl knows that. High-waisted trousers give you long legs and a pretty bum which, after all, is what we all want.
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I like costumes. I am always dressing up - I'm very English like that.
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In England, you laugh at yourselves; in France, we laugh at others.
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I was kind of ashamed of my bourgeois family as a teenager, I guess - I had dreadlocks, shopped in thrift stores and pretended I had no money. At that time, I would have spat on a girl who was buying Yves Saint Laurent.
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My mother always spoke to me in English, so it's technically my maternal language, and it became a kind of private language - I was happy that I could speak in English to my mum and the majority of people wouldn't understand it.