James Larkin Quotes
Quotes to Explore
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I know what my comfort zones are. But without a back-up, I will never step out of my comfort zone. I don't go bungee jumping; I won't jump from the third floor without a safety net. I don't do such things. That's not my personality type.
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Anything that encourages people to pick up an instrument and play, I'm fully behind.
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World War II was a decisive time in our history and June 6, 1944, marked the decisive moment of the war.
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I kind of worry about that a little bit - we lost our film culture for 30 years because the Americans came in and bought up all the cinema chains and wouldn't show any Australian films.
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Although the French were very friendly and helpful. On one location we were to film at the top of the Eiffel Tower but we couldn't, as it was so misty with four inches of snow on the ground. We couldn't see a thing but we finally got it done.
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You make your mistakes to learn how to get to the good stuff.
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Working gets in the way of living.
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It's hard to say conversation has become a minimal thing, because look at the rise of mobile communications in the last 10 years. It used to be only the president had a mobile phone. Now everyone on earth, even if they have nothing else, they have a cell phone.
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Real Texans want their kids to have the best education possible, not the one politicians looking to brag about budget cuts have left us with.
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How do you sustain yourself when all the old structures people looked to for support - religion, family, ethnic solidarity - are crumbling, or feel so false that you refuse to avail yourself of them? What comes next?
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You can have anything you want, but not everything. If it was really important to spend an afternoon at my daughter's school, I had to think, how was I going to organize my life to do that? How could I become more efficient? I always tried to put my priorities on the table, personal and professional, and work around them.
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I don't get hung up on weight.
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It doesn't really feel like it's got anything to do with me. I mean, I know I wrote it, and all that and invented the characters and made it up, but it's Mike's film, so doing the press and stuff, it feels a little bit inauthentic. I was just one component of it.
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I'm not being outspoken or pro or con abortion.
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I've always felt so different from how I look. I meet so many pretty girls who are like, 'Here I am! Don't you want me because I look good?' That concept is so weird to me. I want to know, 'What else do you have going on?'
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I can pretty much live without fast food. I haven't eaten McDonald's in so long, but it's okay.
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Writing has always been an interest of mine, and 'The Language of Flowers' combined my experience with foster care with something I've always wanted to do.
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There were no theatre facilities at the comp that I went to, but I did have amazing teachers who never stopped encouraging me.
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I think that what we do out on the field is oftentimes a little bit better than what men do. I don't think that we flop around as much. I think we're tough. I mean, I've got battle wounds on my legs from the turf and sliding. And we're gritty. And we're feisty. And I think that I would never back down from a guy.
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Today we can say that at last the director writes the film. The image--its plastic composition and the way it is set in time, because it is founded on a much higher degree of realism--has at its disposal more means of manipulating reality and of modifying it from within. The film-maker is no longer the competitor of the painter and the playwright, he is, at last the equal of the novelist
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A movie like House of the Dead with around $7 million budget or Alone in the Dark with around $16 million budget are much easier to make profit than the typical $50 million major motion picture.
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I started as a writer for magazines, and soon they asked me to illustrate my stories. I started from the bottom of the bottom. And I climbed the stairs, one by one.
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Playing baseball for a living is like having a license to steal.
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I never stood in a public house bar and alcoholic drink never touched my lips.
