Phillipa Soo Quotes
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Exposing yourself to many kinds of art can only lead to amazing things. It helps you learn about your own art, your own taste, what kind of art you want to create for yourself.
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I think it's just amazing to be in a group of women, in a group of people that you can spend enough time with them to really get to know people and be inspired by them and learn something new about them every day.
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My grandmother was a classical pianist, so I grew up with Schubert, Mozart, Beethoven. I studied piano as a kid. My musical background and upbringing was very much a mix.
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We try to find the information, the clues, to unlock the play or the story or our characters, especially when they're based on real people that live and breathe.
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I love the collaborative process. Getting to meet new people and really building something with them is such a wonderful way to get to know someone.
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I went through a phase when I was watching a lot of foreign films, just itching to get out of the suburbs and explore.
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I hope they're reminded that joy is very easy to access if you just put down your phone, look at another person, and make a human connection. You'll find a new experience that you wouldn't have had otherwise.
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My mother took my brother and I to a production of 'The Tempest', and it was in this very small - it could have been the basement of a church or a black box. The space was vast, but there were maybe 15 seats in the middle. Ariel came out wearing a nude sparkly thong and spike heels, and the muses had these gossamer see-through gowns on.
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There was a saying going around the theatre: It's a train, and you can jump on at any point whether you're a lover of musical theatre or a lover of theatre or a lover of hip-hop or a lover of history - there was a way to jump on the train.
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There's a huge shift in the way we connect with people as humans in the technology age versus right before that, when we still had a little bit of mystery.
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When you're on a show schedule, everything is heightened. You're always aware of what works and what doesn't so you can be at your best.
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'Hamilton' just asks us all to go a little bit deeper: whether you're a hip-hop fan seeing musical theater for the first time, or if you were thinking you were gonna see some reprise of 1776, and now it's this? And you're thinking, 'Wait a minute, these people aren't white!' It asks you just take a step and go a little deeper.
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I'm definitely not as good as people who consider themselves beatboxers.
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There is a certain vulnerability to creating art and putting it out in the world for the first time, but again, there's a kind of thrill to that as well.
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I didn't know anything about Eliza when I first got the call about 'Hamilton.' Tommy Kail, the director, asked me if I wanted to be a part of it. I knew what he was talking about because I'd seen the video of Lin performing it at the White House for Barack and Michelle Obama.
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The way theater can bring people together is so powerful.
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I will say, I can definitely throw down a sick beat once in a while and provide an amazing backup track for somebody who can really, actually freestyle.
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There's no map for you to follow and take your journey. You are Lewis and Clark. You are the mapmaker.
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It wasn't until 'Hamilton' that I began to be considered an actor of color, and I really don't know what to make of it.
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You can't avoid the conversation of diversity and remembering that diversity goes beyond race and culture. It goes into gender and sexual orientation and all sorts of things.