Phoebe Waller-Bridge Quotes
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There's nothing that makes me cry and laugh more than stories about friendship.
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When an audience is laughing with a character, they make themselves so vulnerable, and they open up. They expose their heart the moment they're laughing, because they're relaxed and they're disarmed.
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The idea of losing your best friend, basically, is the worst thing in world.
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No one would touch me with a barge pole as an actress. It hit hard. I thought, 'What am I doing? This is a stupid idea!' It's like throwing yourself into a massive pond, and you feel like you're going to drown so quickly.
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We're just so self-conscious. However much we try not to be, on some level, especially as a woman and an actress, you have so much pressure when it comes your hair and the bags under your eyes and your skin.
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I'm obsessed with audiences and obsessed with the journey that an audience goes on.
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The element of surprise is the most important thing and what keeps me interested in writing. I can feel it if I've written that predictable or boring line, and I will carry that around with me all day.
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Nothing brings me more joy than when people love what I do.
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'Transparent' was huge for me when I first saw it. I felt that, from an authorial point of view, no one was trying to sell characters to us, you know? It's the idea of not having to adore these characters and want to cuddle them; you just have to be into them and their psychology and be compelled by them.
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I suppose the cult of the strong woman character on TV has probably been misinterpreted in so many different ways, meaning that a woman can't be emotionally complicated or want things or can't be weak in moments.
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Having full faith that you can write something completely insane, and your actress will ground it and make it feel real, is a very liberating feeling.
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Sausages are just funny. I don't know why. I can't explain it.
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I feel liberated being around women who are liberated.
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Wouldn't it be exciting if all women just went on strike? Just a woman's strike. Everything would fall apart pretty quickly then, wouldn't it?
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I just kind of like to feel myself into stuff by writing scenes and seeing what characters end up saying.
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People are always trying to be on top. And not always with a macabre agenda, but I think that people are desperately trying to remain in control, rather than being honest.
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I can't deny 'Fleabag''s a very personal piece, but it's not autobiographical.
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Our family dinner table was my first platform - every dinner was all about sharing stories and jokes and points of view.
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Fleabag knows men and women are equal and should be treated as such, but what she's confused about - and what I was confused about - was the idea that wanting bigger boobs doesn't mean you don't want equal rights.
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Every single performance of 'Fleabag,' I would learn so much from the audience reaction or how you could change it all the time, and I loved that sense that the performance is ever-growing and changing and could be affected by the audience.
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People generally are just really nice to each other. You know, the good people.
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I always knew that if I was ever going to perform something that I wrote in front of an audience, I was going to do the thing I most like to experience as an audience member, which is to be tricked.
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I'm just constantly on the verge of bursting into tears with joy.
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I'll never get bored of seeing flawed women on the screen.