Phylicia Rashad Quotes
Success for me means being able to work. I don't look at so much at what I've done as much as I look to what I will do.
Quotes to Explore
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When I was 11, I realised that I did not have to live the life my mother had: school, marriage, children, apartment, summer house.
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When I started out back in Louisville, there was Harry Collins. He was my first teacher. He saw that I was so obsessed with magic that he taught me the love of magic.
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I think in every picture that I've ever made. Everything that I've done torments me. I really would like another chance except I'd be too embarrassed to ever really try to do them again and no one would want to see the same movie just done differently.
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Most of the people nowadays send their things by internet. But I cannot work that way. I like to do it myself.
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I'm ambidextrous when I eat. But playing tennis right-handed - I can't do it. I'm clueless.
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When you play for one run, that's usually all you get. I have nothing against the bunt in its place, but most of the time, that place is in the bottom of a long-forgotten closet.
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I'm not very good in crowds, so I usually try to become as small as possible.
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I'm here today because I hated everything else.
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You either make dust or eat dust.
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Two hundred years ago, our precursors in Haiti struck a blow for freedom, which was heard around the world, and across centuries.
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My opinion, my conviction, gains immensely in strength and sureness the minute a second mind as adopted it.
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I can't exactly say why there's not much protest music to speak off. And I know there are acts out there still putting a message in their music.
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About two hundred or two hundred and fifty years after the death of Grettir, his history was committed to writing, and then it became fixed - nothing further was added to it, and we have his story after having travelled down over two hundred years as a tradition.
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I'm just trying to approach what I make with as much respect and research as I can, and just make it with a good heart.
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When I was a teenager, my biggest lessons came from Kenny Chesney, Tim McGraw, George Strait, Rascal Flatts and Brad Paisley. I learned so much from opening up for those artists, and it also taught me how to treat your opening acts and make them feel like they're part of a family, not just a tour.
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In 2010, I sold my car, a Toyota Majester, for just a lakh-and-a-half to be able to feed my horses. It continues to be like a hole, where I put all my money.
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Only Arab Israel, the land of Israel, is our true homeland.
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I remember when I was in third grade, I was in a classroom, and the teacher said, 'What do you want to do when you get older?' We were going around the room. I said, 'I want to be a professional basketball player.' She's like, 'That's not realistic.' I thought to myself, 'OK, watch.'
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I was dressed like Darth Vader. Vader was my man, even with the villainy. He wore all black and had a deep voice; he reminded me of my uncle. I had a cheap mask-cape combo, the kind available at any pharmacy during October.
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I grew up listening to a lot of Snoop Dogg and the Wu-Tang Clan. Actually, I was a huge Wu-Tang fan.
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Earmarks have become a symbol of a Congress that has broken faith with the people. This earmark ban shows the American people we are listening and we are dead serious about ending business as usual in Washington.
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It's great when a director like Cameron Crowe can take what you do and fit it into what he's doing. If someone's a fan of you already, they can take what you do and make it work for what they're doing. You don't know their vision, and you're thinking, 'How is this guy going to take what I do and make it work in this movie?'
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One of the things that sells music is when the artist is looked at as someone who's come up from the streets. Not just any streets, but the toughest, meanest streets of the urban ghetto. And that's called 'street credibility.'
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Success for me means being able to work. I don't look at so much at what I've done as much as I look to what I will do.
