Phylicia Rashad Quotes
Success for me means being able to work. I don't look at so much at what I've done as much as I look to what I will do.
Quotes to Explore
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When I was 11, I realised that I did not have to live the life my mother had: school, marriage, children, apartment, summer house.
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When I started out back in Louisville, there was Harry Collins. He was my first teacher. He saw that I was so obsessed with magic that he taught me the love of magic.
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I think in every picture that I've ever made. Everything that I've done torments me. I really would like another chance except I'd be too embarrassed to ever really try to do them again and no one would want to see the same movie just done differently.
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Most of the people nowadays send their things by internet. But I cannot work that way. I like to do it myself.
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I'm ambidextrous when I eat. But playing tennis right-handed - I can't do it. I'm clueless.
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When you play for one run, that's usually all you get. I have nothing against the bunt in its place, but most of the time, that place is in the bottom of a long-forgotten closet.
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I'm not very good in crowds, so I usually try to become as small as possible.
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I'm here today because I hated everything else.
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You either make dust or eat dust.
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Two hundred years ago, our precursors in Haiti struck a blow for freedom, which was heard around the world, and across centuries.
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My opinion, my conviction, gains immensely in strength and sureness the minute a second mind as adopted it.
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I can't exactly say why there's not much protest music to speak off. And I know there are acts out there still putting a message in their music.
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About two hundred or two hundred and fifty years after the death of Grettir, his history was committed to writing, and then it became fixed - nothing further was added to it, and we have his story after having travelled down over two hundred years as a tradition.
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I'm just trying to approach what I make with as much respect and research as I can, and just make it with a good heart.
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When I was a teenager, my biggest lessons came from Kenny Chesney, Tim McGraw, George Strait, Rascal Flatts and Brad Paisley. I learned so much from opening up for those artists, and it also taught me how to treat your opening acts and make them feel like they're part of a family, not just a tour.
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In 2010, I sold my car, a Toyota Majester, for just a lakh-and-a-half to be able to feed my horses. It continues to be like a hole, where I put all my money.
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Only Arab Israel, the land of Israel, is our true homeland.
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I remember when I was in third grade, I was in a classroom, and the teacher said, 'What do you want to do when you get older?' We were going around the room. I said, 'I want to be a professional basketball player.' She's like, 'That's not realistic.' I thought to myself, 'OK, watch.'
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Never believe anything in politics until it has been officially denied.
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Part of my success with urban bachata is reinventing yourself as an artist and continuing to give people different kind of fusions, mixing up the elements and concepts without changing the beat.
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I'm acting in a new show on NBC with Kristen Bell and Ted Danson, which is definitely the scariest thing I've ever done.
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To paint is the most terrific thing that there is, but to do it well is very difficult.
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For example, you have these grotesque, hilarious, profane ghosts in the book [Lincoln in the Bardo]. Even the concept of talking ghosts is, from an aesthetic point of view, grotesque. But you seem compelled by that risk in order to get to the other end of the equation.
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Success for me means being able to work. I don't look at so much at what I've done as much as I look to what I will do.
