Natasha Lyonne Quotes
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I will take the subway and look at certain women and think 'God, that woman's story will never be told. How come that lady doesn't get a movie about her?'
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There are epic downsides to living a somewhat public life. The upshot of that is there's nothing to hide. It's a relief in a way. There's nothing about me that can't be said.
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I started wearing all black around the time I got into Nirvana. I first heard 'Smells Like Teen Spirit' when I was about 12, and I remember jumping on my bed, so excited about it.
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As wild as I was, when the cops show up, and suddenly you're being handcuffed, it's so deeply shocking and terrifying, the loss of freedom.
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I would love to option 'Crying of Lot 49' and turn it into a movie.
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The aging process is totally minimizing. Life in general is pretty minimizing because you have a lot of big ideas, and you have to battle the mistaken delusions and instability that come with youth.
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I learned that if you're going to be a troublemaker, you don't want a ton of witnesses, because there's inevitable fallout from living like you're in 'Lord of the Flies.'
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I have a pretty fancy facialist, this woman Dale Breault. Getting older, it's a good thing to have a serious facialist.
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If I was a bajillionaire, I would spend a lot of time at Barneys just buying all kinds of great things all the time. I would have so many black cashmeres it would be out of control. I like the way nice things feel very much.
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It's a wild thing, that people have the ability to help each other by just relating to one another.
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I'm not someone who went to acting school - I was just out of the gate, doing it.
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The world at large doesn't always make sense to me, and there are safe havens. Linda Manz in 'Out of the Blue' is one of them.
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I feel like I just have such the blood and bones of a New Yorker that I can almost imagine better, like, giving up the fight and not being able to afford the city and going out West, keeping a small place here, and then when I'm like 80, coming back here, living on the park and going to the theater.
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Let's face it. I'm an open book.
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As a woman, I've learned that having a uniform of your staples or setting your look and saying what distinguishes you - like red lips or hair or whatever - leaves so much time for the rest of the day.
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I adore Eddie Kaye Thomas and Jason Biggs. Eddie was the only one who called me when they were doing 'American Reunion' and told me, 'You need to do this.'
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From the first instant I met her, I wanted to be Nora Ephron. I just really wanted to please her.
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Anormal day looks like, you know, shower, put on the same jeans, the same tattered Gucci loafers I got at the thrift store, white socks, and my t-shirt and my very beat-up Helmut Lang blazer. I'm in the exact same outfit every day.
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Beauty was never really my trip. Maybe those roles are attracted to me?
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I was this kid who had been raised in New York, and now all of a sudden, my mother decided that she was a Jewish divorcee and therefore she should be living in Miami Beach.
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I don't really feel like I need to be a teenager ever again.
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I have a theory that self-made, first-generation actresses don't feel entitled to success.
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It's not easy trying to navigate your internal world in the public eye.
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I have a deep compassion for the idea that it's okay to be myself. The idea that anything 'other' is bad and wrong and broken is so wildly off base.