Phyllis Schlafly Quotes
What I am defending is the real rights of women. A woman should have the right to be in the home as a wife and mother.
Quotes to Explore
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There are hours when I must force the novel out of my mind and be interested in the children.
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Success to me is having ten honeydew melons and eating only the top half of each slice.
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I don't hurt or want for visibility, but people seem to forget pretty easily.
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I've always said I wanted to play in England. There was a struggle between Chelsea and United, but according to me, Chelsea has the best project.
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When we read fiction, we want to get outside of ourselves and are able to see from a perspective we haven't seen through before. That can be very powerful.
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I don't think there is much value in trying to use the moon as a base to go to Mars. That's going into one gravity belt and having to get back out of it again. And the moon doesn't have a lot to offer as a resource base.
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I'd want to collaborate with Eminem, of all people. Maybe even Lauryn Hill.
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We don't think much about climate change and rising sea levels here in the U.S. Beyond a few gardeners, birders and hikers who notice the changes in our own ecosystem, we live on, blissfully unaware of our changing Earth. Our storms - Katrina, Sandy - are dismissed as once-in-a-century events.
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I don't see a superstar out there. I don't see Georges St-Pierre coming back.
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I got beat up up in Texas because my bootlaces were the wrong color.
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I started acting when I was 5 years old. And I was pretty well known for a while. Your self-esteem and your identity start to become wrapped up in that celebrity, and when that starts to fade away, your self-esteem and your identity start to fade away with it.
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The nightmare of materialism, which has turned the life of the universe into an evil, useless game, is not yet past; it holds the awakening soul still in its grip.
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In the five months I wrote the final draft of 'The Association of Small Bombs,' I never fell out of the book. The world was real to me: plausible and powerful.
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The stakes are high on every film now because there's the opening weekend. The first week is extremely crucial; increasingly, films are being judged in terms of opening day, opening weekend, then first week. People are going berserk promoting their films.
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The strange anthropological lesson of social media is that human beings, if given a choice, often prefer to socialize alone.
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I'm not a huge fan of my work.
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Yidaki didgeridoo has been used in every part of Australian regional culture, all around the country. It's become a message stick for the survival of those people, for aboriginal people and aboriginal culture.
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I've purged myself of bitterness and anger and remained open to love.
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Ideals are like stars; you will not succeed in touching them with your hands. But like the seafaring man on the desert of waters, you choose them as your guides, and following them you will reach your destiny.
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I get my share of 'cold' requests via LinkedIn from people who are launching non-profit or for-profit ventures and who request a meeting to get my input or help. I wish I could say yes to all of them, but given limited bandwidth, I say yes to the subset who've written a compelling description of their work and who are underrepresented.
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I didn't start out writing to give children hope, but I'm glad some of them found it.
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Sometimes the truth hurts. And sometimes it feels real good.
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What I am defending is the real rights of women. A woman should have the right to be in the home as a wife and mother.
