J. G. Ballard Quotes
Fiction is a branch of neurology: the scenarios of nerve and blood vessels are the written mythologies of memory and desire.
Quotes to Explore
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Was music my talent really? No, I don't think I was particularly talented.
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I could not tell you the date of my mother's death. I could not tell you the date of my dad's death. These are not dates that I find significant.
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You've got to really be able to accept the rejection.
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When grand plans for scientific and defence technologies are made, do the people in power think about the sacrifices the people in the laboratories and fields have to make?
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If you want your children to bring original ideas into the world, you need to let them pursue their passions, not yours.
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Jane Austen's characters for women are always very strong, opinionated and elegantly written, so they're always great for an actress to have a chance to do.
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I will be up at 8 A.M. making spaghetti bolognese for Peter and Sophia's evening meal if I'm working that day. I may not get back for the evening, and I worry if I don't do that, then they won't eat anything.
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That you get booed belongs to professional sports.
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A lot happens in 20 years.
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This country has far more problems than it deserves and far more solutions than it applies.
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It's just a theory really, but I have always thought that your physical surroundings can shape your voice and personality.
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I'm a fast learner. I may not run as fast as I used to, but I think I still learn as fast.
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Fans can never accuse R. Kelly of doing the same thing; I keep mixing it up.
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If a child plays sport early in childhood, and doesn't give it up, he will play sport for the rest of his life. And if children have a connection with, and are involved in the preparation of, the food they eat, then it will be normal for them to cook these kind of meals, and they will go on cooking them for the rest of their lives.
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I think that was the case here. We just wanted it to be good for everybody.
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Capitalism is using its money; we socialists throw it away.
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We cannot control what emotions or circumstances we will experience next, but we can choose how we will respond to them.
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Whether I build a character from the ground up or develop one, whether within my own copyright or in licensed work, I can step into that character's mind. It takes a kind of voluntary dissociation akin to method acting, military planning, marketing, or detective work: to think like the other guy and work out what he's going to do next.
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A painter is somebody who sees. I paint the moment when I set out. When I set out to see. And it’s the same thing for the viewer. When he approaches the canvas, he is advancing towards an encounter. The encounter with vision.
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We invented our computers in the '80s. We networked them together in the '90s. Now we're giving them eyes, ears and sensory organs. And we're asking them to observe and manipulate the world on our behalf.
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It's widely assumed that you can't compete with free, and that seems like a reasonable thing to think. But this has not been my experience.
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Ardent love or desire introduced, as passionately longing to please and glorify the Divine Being, to be in every respect conformed to him, and in that way to enjoy him.
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In my own case I have frequently faced the pitcher when I had no desire whatever to hit. I wanted to get a base on balls.
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Fiction is a branch of neurology: the scenarios of nerve and blood vessels are the written mythologies of memory and desire.
