J. G. Ballard Quotes
Most English writers are not interested in change but in the social novel. That demands a static backdrop. I'm intensely interested in change - probably as a matter of self-preservation. What the hell is going to happen next?
Quotes to Explore
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I've always enjoyed poor health.
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If your determination is fixed, I do not counsel you to despair. Few things are impossible to diligence and skill. Great works are performed not by strength, but perseverance.
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China has the best opportunities. A domestic market with 1.3bn people will help create more Fortune 500 retailers.
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Progress, real progress, makes me cry harder than anything. When the world itself grows.
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If somebody told me you'd be a one and a half billion dollar company and be the largest in the world, I wouldn't have believed it myself.
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I'm from New York, so I'm not a big driver.
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There is one thing women can never take away from men. We die sooner.
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Overall, the anarchy was the most creative of all periods of Japanese culture for in it there appeared the greatest landscape painting, the culmination of the skill of landscape gardening and the arts of flower arrangement, and the No drama.
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In the 20th century, the United States endured two world wars and other traumatic and expensive military conflicts; the Depression; a dozen or so recessions and financial panics; oil shocks; a flu epidemic; and the resignation of a disgraced president. Yet the Dow rose from 66 to 11,497.
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I ain't scared to do another dating show, but I ain't really trying to. I want to do a talk show or something. I've done enough dating on television. I'm ready to spread my wings, and go down other avenues.
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When the news is good, the BBC view is: 'Get the government out of the picture quickly, don't allow them to say anything about it.' When the news is bad: 'Let's all dump on the government.'
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We watch our sons go to war, disagree with the rationale for sending them, loathe the men who ordered them to battle, and then, when the veterans come home, beg and plead with the local V.A. to ensure they have access to proper care.
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Over the years, with all the experience, I've become more mature about the subjects I pick. I have a better understanding of what works at the box office. Once the story is finalised, I surrender to the director and follow him. After that, my performances speak for themselves.
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I know some people are really comfortable with talking about their feelings and hopes and fears in public, but I'm not, and I don't think it's that extraordinary.
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There is nothing so well known as that we should not expect something for nothing - but we all do and call it Hope.
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I've written a screenplay that is a series of monologues and songs; they form this sort of human tapestry across time and place. The form is strange, but I find it really fascinating.
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Afghanistan is a land-locked country.
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As anyone who has covered the company for any length of time knows, Yahoo's record on major decision-making has been akin to a hippie commune - a lot of wrangling internally in a culture where everyone seems to have a voice and a reticence to push the button to launch.
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There's no race, no religion, no class system, no color – nothing – no sexual orientation, that makes us better than anyone else. We're all deserving of love.
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I don't let a poem go into the world unless I feel that I've transformed the experience in some way. Even poems I've written in the past that appear very personal often are fictions of the personal, which nevertheless reveal concerns of mine. I've always thought of my first-person speaker as an amalgam of selves, maybe of other people's experiences as well.
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To imagine that God wants prayers and hymns of praise is to make him out to a sort of oriental potentate; while praying for favours is an attempt to get him to change his allegedly all-wise mind.
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Optimism and pessimism are mere matters of optics, of how you look at things, and that can change from day to day, or with a new prescription for your glasses - or with a new set of ideological filters.
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Most English writers are not interested in change but in the social novel. That demands a static backdrop. I'm intensely interested in change - probably as a matter of self-preservation. What the hell is going to happen next?
