J. G. Ballard Quotes
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The Internet is an amazing development.
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I think of science fiction as being part of the great river of imaginative fiction that has flowed through English literature, probably for 400 or 500 years, well predating modern science.
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If you're against globalisation, it doesn't achieve much by sort of bombing the head offices of Shell or Nestle. You unsettle people much more by blowing up an Oxfam shop because people can't understand the motive.
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Town-scapes are changing. The open-plan city belongs in the past - no more ramblas, no more pedestrian precincts, no more left banks and Latin quarters. We're moving into the age of security grilles and defensible space. As for living, our surveillance cameras can do that for us. People are locking their doors and switching off their nervous systems.
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The first drafts of my novels have all been written in longhand, and then I type them up on my old electric. I have resisted getting a computer because I distrust the whole PC thing. I don't think a great book has yet been written on computer.
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I had a very mixed kind of childhood reading. I read the childhood classics like 'Robinson Crusoe,' 'Alice in Wonderland,' 'Chums Annual.' At the same time, I read an enormous number of American comics because Shanghai was an American zone of influence.
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I wanted to rub the human face in its own vomit and force it to look in the mirror.
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God was a clever idea … The human race came up with a winner there.
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I think it's terribly important to watch TV. I think there's a sort of minimum number of hours of TV a day you ought to watch, and unless you watch three or four hours of TV a day, you're just closing your eyes to some of the most important sort of stream of consciousness that's going on!
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The untruth of the accusation, which they all knew well, only served to reinforce it ... By the logic of the high-rise those most innocent of any offence became the most guilty.
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People, particularly over-moralistic Americans, have often seen me as a pessimist and humourless to boot, yet I think I have an almost maniacal sense of humour. The problem is that it's rather deadpan.
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At first Laing found something alienating about the concrete landscape of the project - an architecture designed for war, on the unconscious level if no other.
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There are some people, who place enormous value on their home and feel that it defines them, that a stain on the carpet is a personal defilement. There are others, and I think I am one of them, who are entirely indifferent to where they live.
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The Chinese enjoyed the spectacle of death, Jim had decided, as a way of reminding themselves of how precariously they were alive. They liked to be cruel for the same reason, to remind themselves of the vanity of thinking the world was anything else.
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It is difficult to remember just how formal middle-class life was in the 1930's and '40s. I wore a suit and tie at home from the age of 18. One dressed for breakfast. One lived in a very formal way, and emotions were not paraded. And my childhood was not unusual.
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The endless newsreel clips of nuclear explosions that we saw on TV in the 1960s (were) a powerful incitement to the psychotic imagination, sanctioning *everything*.
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Sooner or later, all games become serious.
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Some people didn't like the novel, it is in some ways extremely bleak. But if you are dealing with the kind of subjects I am - trying to demystify the delusions we have about ourselves, to get a more accurate fix on human nature - then people are unsettled. And the easiest way to deal with that is to say it's weird or it's cold.
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The advanced societies of the future will not be governed by reason. They will be driven by irrationality, by competing systems of psychopathology.
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The human body as an obedient coolie, to be fed and hosed down, and given just enough sexual freedom to sedate itself.
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The residents had eliminated both past and future, and for all their activity, they existed in a civilized and eventless world.
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I feel that the surrealists have created a series of valid external landscapes which have their direct correspondences within our own minds.
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After the commonplaces of everyday life, with their muffled dramas, all my organic expertise for dealing with physical injury had long been blunted or forgotten. The crash was the only real experience I had been through for years.
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'If their work is satisfying people don't need leisure in the old-fashioned sense. No one ever asks what Newton or Darwin did to relax, or how Bach spent his weekends. At Eden-Olympia work is the ultimate play, and play the ultimate work.'