J. G. Ballard Quotes
If you're against globalisation, it doesn't achieve much by sort of bombing the head offices of Shell or Nestle. You unsettle people much more by blowing up an Oxfam shop because people can't understand the motive.
Quotes to Explore
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I pledged to become the world's greatest expert in a field I knew nothing about.
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The loss of life will be irreplaceable.
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It's a cliche, but there really is no handbook about the celebrity thing; you have to figure it out as you go along.
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I don't know if I actually am good at the sight of blood. An accident on the street gets me very, very upset.
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There is so much to do in my house, in every little corner. It's just like anybody, it's like one step at a time. I try to decorate one space and a pipe breaks or whatever - you know how it is.
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Spontaneity is what travel is all about.
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I like to look at 'A Place in the Sun' every now and get inspired by it.
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I have quite a house. People come over and I go, 'I know, I'm sorry.'
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My hope that Thatcher would inadvertently bring about a new political revolution was well and truly bogus. All that sprang out of Thatcherism were extreme financialisation, the triumph of the shopping mall over the corner store, the fetishisation of housing and Tony Blair.
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It really is no different in the way that we make records and shoot music videos. I don't think of the movie as being a great leap out of my current profession.
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Honestly, I find the analysis of dreams is one of the dullest things. I say this as a therapist kid. I find them deeply uninteresting, as a window to the soul.
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However, as our brave men and women continue to return from the battlefields of the War on Terror, Congress must respond by enacting policies that meet the evolving needs of the veterans community.
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If a work of art is rich and vital and complete, those who have artistic instincts will see its beauty, and those to whom ethics appeal more strongly than aesthetics will see its moral lesson. It will fill the cowardly with terror, and the unclean will see in it their own shame.
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Our culture is intent on taking the lines out of people's faces - surgically, with costly creams, and with fear and trembling - when, in fact, the opposite should be the case. As artists know, if there is anything behind a face, that face improves with age.
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You don't have to hit anybody on the head to be sexy.
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You want a career? Do that first. You don't want to have kids? Then don't. You don't want to get married? Then don't. But once you do something, you've got to know that there is compromise.
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Themes only arise after a novel is written, and people begin to try to talk about it.
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Kids called me 'Skeletor' as a kid because I was so skinny.
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I try to ground most of my characters in reality somehow. That's kind of what I bring to the table.
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If you keep your armpits open, you won't get depressed.
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It is splendid - to be - loved! If we only - can - live up - to the thoughts - of us - by them - that love us!
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And it occurred to me that in this new millennial life of instant and ubiquitous connection, you don't in fact communicate so much as leave messages for one another, these odd improvisational performances, often sorry bits and samplings of ourselves that can't help but seem out of context. And then when you do finally reach someone, everyone's so out of practice or too hopeful or else embittered that you wonder if it would be better not to attempt contact at all.
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We have so many issues in this country to focus on that worry us, that I question why there is such focus on the simple right of people to love whom they will.
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If you're against globalisation, it doesn't achieve much by sort of bombing the head offices of Shell or Nestle. You unsettle people much more by blowing up an Oxfam shop because people can't understand the motive.
