Pierce Brosnan Quotes
Quotes to Explore
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The quick success was a bit strange to get used to.
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I want to drink champagne from ladies' shoes.
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Carelessness makes me cross. And unkindness.
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I'm not a machista that tells his girl what she has to put on. I let her be herself.
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I have been acting since I was thirteen.
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I have said consistently both in my papers and in my speeches - which you heard in the primary campaign - that I will continue to phase out the Capital Stock and Franchise tax.
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If you look at Indian movies, every time they wanted an exotic locale, they would have a dance number in Kashmir. Kashmir was India's fairyland. Indians went there because in a hot country you go to a cold place. People would be entranced by the sight of snow.
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Golf and dating don't mix.
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My music does say a lot about me and what I went through. All the songs are about things I have gone through and what I am thinking. I wrote about my family, friends and boys, of course, and about life.
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In the end, abortion is an issue of fundamental human rights. To force women to undergo pregnancy and childbirth against their will is to deprive them of the right to make basic decisions about their lives and well-being, and to give that power to the state.
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I've never been driven to just be a celebrity or just get me on TV. Never ever. What's always driven me is being successful and being good at what I do.
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This is the moment when I should also admit that when the Internet first arrived I kept telling people it was a fad.
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I was born on TV, meaning that's where I caught my break. So that's where I always have to be smart and revisit that medium as much as I can.
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Every 16-year-old person has a love for pop in them because pop is popular.
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Today, political events are nullified unless they're on TV.
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I think money is important for everyone, because the lack of it is so painful.
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The call for diversity is about recognizing that in order to be in the conversation come awards season, it goes back to the content that is being produced.
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Sometimes terror and pain are not the best levers; deception, when it works, is the most elegant and least expensive manipulation of all.
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Take away that fool’s bauble, the mace.
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With 'Girls,' Marnie was a slow burn; she shifted over time. With 'Get Out,' I was suddenly faced with the pressure that, like, I need an audience to know Rose deeply within 15 minutes, within a couple scenes. And that's not something I've ever done before.
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I grew up in a family where the love of stories is very strong. And there's also a love of performance. I think one reason stories were so important in my family was that we moved around a lot.
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Pacing is not the sort of thing you can plan out beforehand, but you're always aware of it as you write, because you need to make constant decisions.
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You told me you had destroyed it. I was wrong. It has destroyed me.
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I always wanted to do a Western.