James P. Moran Quotes
I'm working as hard as I can. Yesterday, I had five different debates. I don't get a half an hour a day to talk to my wife. I don't know how much harder I can work.

Quotes to Explore
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Together with international unity and resolve we can meet the challenge of this global scourge and work to bring about an international law of zero tolerance for terrorism.
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It's good to keep in mind that prominence is always a mix of hard work, eloquence in your practice, good timing and fortuitous social relations. Everything can't be personalized.
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I was just finishing up 'Spotlight' in Toronto - I finished it on a Tuesday and started 'True Detective' on a Friday. So I was missing rehearsals, unfortunately, which I hate and why I never like to work back-to-back.
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I've always respected and appreciated Punk, but we never really hung out. We came from the same route, but we didn't necessarily hang out in the same circles. I've always had a great appreciation and respect for his hard work.
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I was raised to want to work for a living. The idea of just sitting around or going shopping every day appalls me.
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My grandfather was an autoworker, and I have a weapon he manufactured to protect himself from the company that he would carry to work. It's a big iron pipe with a hunk of lead on the head. I think about how far we've come as companies from those days, where workers had to protect themselves from the company.
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I often have said to people that there are really two cities in the country where the outlook is always forward-looking - there is never really a backward-looking tendency. My banking work has taken me out to Palo Alto, what is commonly called Silicon Valley. And you sense out there is always a forward-looking outlook. And New York City.
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For fiction, I'm not particularly nationalistic. I'm not like the Hugo Chavez of Latin American letters, you know? I want people to read good work.
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Being bi-racial and being from the country, I can talk to guys like Travis Frederick from Wisconsin and Doug Free from Wisconsin. And then I can go over and talk to Dez Bryant. I mean, think about the two different standpoints you need to have a real conversation with both, to really understand what they've been through.
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My best work is often almost unconscious and occurs ahead of my ability to understand it.
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I live in Rome and five minutes from my flat is a church where you can walk in and see this beautiful Caravaggio. Just the way this man uses dark paint: dark to create dark to create dark, the layering of the darkness in his work. I just race home: I want to create!
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We have a vision of South Africa in which black and white shall live and work together as equals in conditions of peace and prosperity.
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One of the things that always was Fall Out Boy was trying new things and kind of pushing ourselves in different directions.
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The demand in India is to have a hit, which becomes a promotion for the movie and makes people come to the theater. You have five songs and different promotions based on those. But when I do Western films, the need for originality is greater. Then I become very conscious about the writing.
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Executive ability is deciding quickly and getting somebody else to do the work.
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There is not one description of beauty - that in fact it has different faces, different stories, and different background, and it's important to embrace all of those.
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I'm quite adept at writing two or sometimes even three stories at once. So if I get stuck on one story, I switch the next and let my subconscious work on unraveling any plot problems from another story.
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People try to look for deep meanings in my work. I want to say, 'They're just cartoons, folks. You laugh or you don't.' Gee, I sound shallow. But I don't react to current events or other stimuli. I don't read or watch TV to get ideas. My work is basically sitting down at the drawing table and getting silly.
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I have always loved story - I escaped within it as a child, I read every day, I love figuring out the complex layers of an author's work.
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I want to raise my kids, I want to get them through their teenage years. ... I do love my work with the UN and with PSVI so if I can do more of that and be more effective I will do whatever I can.
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There was a beautiful time in the beginning when I just did it and didn't analyze the consequences, but I think that time ends in everyone's work.
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[T]hey stretch you on a table. Then they bid you close your eyelids, And they mask you with a napkin, And the anæsthetic reaches Hot and subtle through your being.
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It's funny, my kids and I live together, and I have a lot of actor friends. So my kids think everyone is on television every now and again, since everyone they know pops up here, but there's a whole rap of things they won't watch until they're 16 or 17.
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I'm working as hard as I can. Yesterday, I had five different debates. I don't get a half an hour a day to talk to my wife. I don't know how much harder I can work.