Nawazuddin Siddiqui Quotes
I prefer if friends come over to my office and we talk our heart out over a cup of coffee. I feel that no one talks freely at industry bashes. Everyone has to behave in a certain way, and I think no one is real there. We can't have heart-to-heart conversations, and I start feeling uncomfortable at such dos.
Quotes to Explore
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I am neither a Bengali nor am I from Delhi's St Stephen's. I am an Allahabad boy.
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My hunger is always there.
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If you have not been a villain at a certain point in time, you will never be a hero. And the day you are a hero, you may become a villain the next day.
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I want to play interesting women.
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You possess a potent force that you either use, or misuse, hundreds of times every day.
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It's more important than ever for America to rededicate itself to manufacturing at home. When we make more products in America, more American families will make it.
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'Pong' is simply a knockoff of the Odyssey Ping-Pong game.
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In the South, there was absence of any leadership corresponding in breadth and courage to that of Abraham Lincoln.
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Only a few good leaders have paused to reflect seriously on being leaders.
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No matter what a woman's appearance may be, it will be used to undermine what she is saying and taken to individualize - as her personal problem - observations she makes about the beauty myth in society.
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The Gospel itself is angular. It always has been. It always conflicts. It always challenges every generation. It challenges different generations in different ways.
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When I was a kid, I thought it was tough.
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People can be inspired the way I've been inspired by music.
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I'm not really a fan of people who think they're better than others. There's no reason to act that way. I couldn't even stand to yell at someone if they bumped right into me.
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I like to leave a film open-ended, with a lingering feeling. I'll not do sequels of any of my films till I have subjects to explore.
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How do you sustain yourself when all the old structures people looked to for support - religion, family, ethnic solidarity - are crumbling, or feel so false that you refuse to avail yourself of them? What comes next?
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Large organizations don't worship shareholders or customers, they worship the past. If it were otherwise, it wouldn't take a crisis to set a company on a new path.
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Popular culture is simply a reflection of what the majority seems to want.
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The value of a story like 'Deadline' is kids get to look at death at the perfect distance. They can put the book down. They can experience the story, rub up against it, but it's not real life.
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Sneaking out the back door to hand out with those hoodlum friends of mine.
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It's fair to say that white America wouldn't have elected an African-American president without the integrating effect of black music - from Louis Armstrong to hip-hop - and black drama and fiction, commercial as much as 'serious.'
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I usually have a general idea of where the story is going, but I try to avoid planning in too much detail. The best endings are those that emerge only after I've thought long and hard about the various ways the story might end. Then I choose the ending that seems surprising yet somehow inevitable.
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I never even had a MySpace.
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I prefer if friends come over to my office and we talk our heart out over a cup of coffee. I feel that no one talks freely at industry bashes. Everyone has to behave in a certain way, and I think no one is real there. We can't have heart-to-heart conversations, and I start feeling uncomfortable at such dos.
