James Redfield Quotes
It's about really having a God connection: a connection with the divine behind the world and flowing forth out of that in a positive way with love and moving toward making a contribution that pushes forth the evolution of the world.
Quotes to Explore
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I don't want to come off like the jealous brother who wasn't getting the attention, but it was like no one was really into me anyway. I wasn't really a priority.
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We keep, in science, getting a more and more sophisticated view of our essential ignorance.
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After the bones mended, my left eye was smaller than my right, and my eyebrow never grew back. But you know what? Big deal. I think I became beautiful after the accident. I became kinder, more aware. I gained respect for other people.
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A career in showbiz is like a distance run. You have to have patience and pace yourself.
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I never got into politics for it to be a career.
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I'm under pressure with all my films. And the reason we are always under pressure is because it's only in our profession that months and even years of hard work is judged by the first show on Friday.
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I don't know how to make Harper and Alloy want me, not just my name.
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Rarely in broadcasting history has so much been riding on the whimsical flick of a few thousand wrists.
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I used to come up with these crazy jobs to try and provoke my parents but they said, 'You can be anything you want.' So I was like, 'I want to be a garbage man' and they were like 'That's OK, we'll still love you!'
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I would say to an actor new to the business that it's best to go where you are most comfortable as a person, both in and outside of the business.
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Conflict is very much a state of mind. If you're not in that state of mind, it doesn't bother you.
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I think of myself as a performance artist. I hate being called a pop star. I hate that.
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China - if you think about what is the character of China, it's enormous scale. It's bigness.
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I was born in India - but never really lived there.
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With any kind of mean girl, or anyone who bullies anyone, there's always a reason for it. There is that sadness in them or insecurity that makes them feel like they need to act out or hurt other people.
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I feel like every word I say now, I can really inspire people.
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It's tricky, performing the show live. Because when you're in a big auditorium, in front of 700 people, the natural tendency is to want to talk louder. You want to project.
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We say that our objective is to conquer complete independence, to install a people's power, to construct a new society without exploitation, for the benefit of all those who feel themselves to be Mozambicans.
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I think the emotional appeal of a platform is what works. I think the old-media entities still have not figured out that part of the game plan.
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The live audience is a blind date. The camera is a hungry lover. One wants to be wined and dined and seduced and then decide where the evening will go. The other knows how it wants to be touched, wants it now and can damn well tell if you are lying about it. Both are fickle. Both feel good. Depends on your mood.
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I think it's natural for a creative to be sensitive. If I'm in the studio and I write something, I think it's the greatest thing in the world; it's like my baby. I just made something out of thin air that exists now in a tangible form. It's the biggest thrill in my life.
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I feel like I'm on top of the world. Honestly, I feel like I've climbed a very giant mountain, and I'm just standing right on top with my arms wide open and breathing rarified air.
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Insanity has infected all the central banks of the world.
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It's about really having a God connection: a connection with the divine behind the world and flowing forth out of that in a positive way with love and moving toward making a contribution that pushes forth the evolution of the world.
