James Rosenquist Quotes
Quotes to Explore
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The most important thing is to preserve the world we live in. Unless people understand and learn about our world, habitats, and animals, they won't understand that if we don't protect those habitats, we'll eventually destroy ourselves.
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Paris ain't much of a town.
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I gambled and I lost. I failed in securing my options for this choice for myself, but I succeeded in verifying the Dark Age is still with us.
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There needn't be a distinction between your life and your music.
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I can't imagine wanting to be famous just for the sake of being famous. I think fame should come along with success, talent.
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I'm a fan of creating the mood and vibe with flowers, candles, and music. I love making my guests feel like it's not formal and they can relax in my home.
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His mother should have thrown him out and kept the stork.
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The only summit meeting that can succeed is the one that does not take place.
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Only heroes get stereotyped. As they do the same kind of roles again and again.
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Dare to visualize a world in which your most treasured dreams have become true.
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I have no technical training and am completely uneducated in music.
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If I could live in New York the rest of my life, I absolutely would, but it's also prohibitively expensive and you have to be working. New York is a lot nicer when you have a job.
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The first year was hard for me to deal with. The second year was a little bit easier, but still difficult. It took me five years to get it out of me. It was a difficult moment, a difficult time.
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I didn't have a business degree. I didn't have experience to work in somebody else's office. I never built or ran a department. So I was on this journey, and when the time came to make a decision, I was just going with my gut.
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No two beings, and no two situations, are really commensurable with each other. To become aware of this fact is to undergo a sort of crisis. But it is with this crisis in our moral awareness as a starting-point, that there becomes possible that cry from us towards the creative principle, and that demand by it on us, which each must answer in his own way.
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What I assert, deny, question, in the present, I still can. But mostly I shall use the various tenses of the past. For mostly I do not know, it is perhaps no longer so, it is too soon to know, I simply do not know, perhaps shall never know.
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Why should he remember her? Why should she remember him? She had other things to think about. She was a grown woman. She had to face life. Even if all life had to show her was a locked door, and behind the locked door, no room.
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The subject of Stalin's death permitted a rare blend of invective and speculation-both Hearst papers, as I recall, ran cartoons of Stalin being rebuffed at the gates of Heaven, where Hearst had no correspondents-and I have seldom enjoyed a week of newspaper reading more.
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...this bull is a bull and this horse is a horse... If you give a meaning to certain things in my paintings it may be very true, but it is not my idea to give this meaning. What ideas and conclusions you have got I obtained too, but instinctively, unconsciously. I make the painting for the painting. I paint the objects for what they are.
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When I began 'All Our Names,' I did so wanting to create parallel narratives between Africa in the nineteen-seventies and America during that same period.
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I was the first journalist allowed on a hunting boat during harp seal season in almost 15 years. Around the late 1970s, white coat pups became the poster child for the anti-fur movement, and by the '80s, the media was lambasting the hunters for killing them.
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I closely follow everything about user interface or human-computer interface: technology that makes computers closer to the way the human being actually functions.
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If we think systematically, we will stop asking, How much is nature worth? We will know that we are a piece of nature ourselves.
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I can handle ups and downs.
