Frans Lanting Quotes
Quotes to Explore
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You know when you're 14 and terrified to talk to a girl? I didn't suffer much from that. It seemed very natural to me to talk to girls.
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I had been doing summer stock every summer while I was in college. We did a showcase, like most good conservatories do - monologues and things that agents and casting directors come to see. From that I got an agent.
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I was there when the quote-unquote golden age of musical theater was flourishing. I met everybody who worked in theater or was famous in theater from the '40s on.
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A people cannot long retain their freedom, whose government is incapable of protecting them.
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I'd like to think you don't stop being creative once you get happy. My ultimate goal is to end up being happy. Most of the time.
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And the invention of transformations of certain figures has become the most important in musical composition.
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The thing is, people can't complain about profit-oriented moves if they're only interested in profit themselves. You can't have it both ways. If they're willing to polish up a gift and sell it to make money, they can't really complain about the fact that somebody above them has sold them down the river. That's the way it goes.
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I've been a war reporter and a human rights defender. A professor and a columnist. A diplomat and - by far most thrillingly - a mother. And what I've learned from all these experiences is that any change worth making is going to be hard. Period.
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Fashion is unique. It's a leveler, not a divider.
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In the past, human society provided encouragement and opportunity for people to extend support to each other, especially in highly stressful situations.
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I think it's really important whilst you're a young actor to try as many new things as possible... to try and do something you haven't necessarily been seen doing before.
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Being a recognised face has its problems. I miss the freedom to go anywhere I want to.
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The best thing I did was to choose the right heroes.
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The problem with most Hollywood movies is they don't give the director enough control.
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I was chosen for 'Wolverine' because there weren't any other Japanese actresses available who could speak English. With 'Batman v Superman' and 'Hannibal,' I got the roles as a result of previous work I'd done, not just because of my nationality.
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The names of common flowers change from decade to decade, so I spent a lot of time with old outdated dictionaries, with awful flower names like 'mouse-eared chickweed.'
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If you are only big in China, you are only a local Chinese company.
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I'm an outsider.
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I don't fixate on other people's opinions of my body.
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If you want someone to show up and execute your script for you, seriously, there are a lot of great people out there. Don't call me.
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Electric technology is directly related to our central nervous systems, so it is ridiculous to talk of 'what the public wants' played over its own nerves. (p. 68)
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To me, what I realized when we were doing 'Spinal Tap' - and the four of us wrote that - is, really, the core of that is the relationship with the two guys who grew up together and that strain when the girlfriend comes in. If that wasn't there, it's a very different movie. Then it's just bumbling guys stumbling along.
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It is, indeed, right that we should look for, and hasten, so far as in us lies, the coming of the day of God; but not that we should check any human effort by anticipations of its approach. We shall hasten it best by endeavoring to work out the tasks that are appointed for us here; and, therefore, reasoning as if the world were to continue under its existing dispensation, and the powers which have just been granted to us were to be continued through myriads of future ages.
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Biodiversity starts in the distant past and it points toward the future.
