Masashi Kishimoto Quotes
Quotes to Explore
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My films are of paramount importance to me, the same as my family. That's not going to change. This is a balance I have to strike throughout my life.
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You gotta ask 'why' questions. 'Why did you do this?' A 'why' question you can't answer with one word.
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I am big believer that increase the size of the cake is as at least as important as distribution of the cake. To increase the size of the cake, you need to focus on progress.
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Being at the Apollo, I was always starstruck.
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Maturity - among other things, the unclouded happiness of the child at play, who takes it for granted that he is at one with his play-mates.
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Everyone is going to have to step up to the plate.
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As much as we would like to deny it, reading is not vital to human survival.
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When you are covering a life-or-death struggle, as British reporters were in 1940, it is legitimate and right to go along with military censorship, and in fact in situations like that there wouldn't be any press without the censorship.
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I didn't really have a mentor, but I have always definitely been inspired by the '70s - the Stones, Patti Smith, Anita Pallenberg.
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There is something about the live performance of an orchestra that makes it very different to a film. With a film, you can rewrite it in a way with the material you have, and in rehearsals, you're really trying out different things. In an orchestra, you can't do that. They separate as soon as the performance factor comes into play.
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I hate to be a failure. I hate and regret the failure of my marriages. I would gladly give all my millions for just one lasting marital success.
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Authenticity is the alignment of head, mouth, heart, and feet - thinking, saying, feeling, and doing the same thing - consistently. This builds trust, and followers love leaders they can trust.
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Curiously, the United States is full of writers who have one big work in their life and that's all.
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I love Al Pacino.
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I still care about people but it would be so much easier not to care. I don't want to get to close: I don't like to touch things, that's why my work is so distant from myself Nicolas Love, April 1987
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'Miracle at St. Anna.' I was challenged by Spike Lee. When he offered me the film, he looked me square in the eye and said, 'You start this film off and you end this film. I don't want a dry eye in the theatre. Can you pull that off?' He was dead serious.
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Walter Cronkite had a golden rule for all wartime reporters: never self-aggrandize.
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When I started out, I was definitely writing about experiences that I hadn't had yet. The songs were just based on my influences, songwriters that had written songs before me and that were more experienced and 20, 30 years older than me.
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I loved 'Chicago Code;' I watched that a lot. It was great because it really captured the city - I'm from Chicago, too.
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I think if you've suffered, if you've experienced loss, you're probably more open to understanding it and more comfortable talking about it and experiencing it.
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As a culture women are brought up to be fundamentally insecure.
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Players respond to coaches who really have their best interests at heart.
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Hollywood always represents this big dream and fairy tale in people's minds, but to me, it's just hard work. Of course, we play fairy tale on the red carpet. It's all Cinderella. But when the clock strikes midnight, I turn into a gray mouse and I go home, and I take my dress off and it's over. That's Hollywood.
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Naruto: BELIEVE IT!!!!!!!!!!!
