Masatoshi Koshiba Quotes
In the western world, you can go out, take a boat trip to the Caribbean and so forth, and buy good things with your own money. But the Russian people with rubles cannot do that.
Quotes to Explore
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Today's designers don't care if fashion has no relationship to human anatomy.
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If the reporter has killed our imagination with his truth, he threatens our life with his lies.
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I have discovered in life that there are ways of getting almost anywhere you want to go, if you really want to go.
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Anger is the enemy of non-violence and pride is a monster that swallows it up.
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I'm the diva from the future. The next gig's on the moon. Catch me while you can.
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I constantly write about my safety walking to and from school, and then I would come home at night, and I would cut on the TV, and I would watch a show like 'The Wonder Years,' or I would watch, you know, some other show like 'Family Ties.'
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There are other ways of finding satisfaction, recipes for human happiness, enjoyment, dignified and meaningful, gratifying life, than increased consumption that increases production.
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Men tell me that I've saved their marriages. It costs them a fortune in shoes, but it's cheaper than a divorce. So I'm still useful, you see.
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When a guy tells me I'm cute, it's not something desirable. Cute is more like what you want your pet to be.
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I realized in the early days I just didn't edit at all. But I think you become a little more cagey with your lyrics when you know more people are going to hear them and make assumptions about you as a person. Realizing that, you want to be a little more opaque.
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Here's the thing that people don't understand: I don't really care. I've never been a careerist. It's not a strategy. I react to certain characters and story lines and specific mode of filmmaking.
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Once in awhile, there's stuff that makes me say, That's what theatre's about. It has to be a human event on the stage, and that doesn't happen very often.
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The great joy of doing 'The Daily Show' for me is that I get to sit on the fence between cultures. I am commenting on the absurdity of both sides as an outsider and insider. Sometimes I'm playing the brown guy, and sometimes I'm not, but the best stuff I do always goes back to being a brown kid in a white world.
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The battle is all over except the 'shouting' when one knows what is wanted and has made up his mind to get it, whatever the price may be.
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I'm an academic. I teach at the university, and that's where I will go back to.
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I always try to look for the hidden face of the character, the hidden face that we all have.
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The problem with dragons is that everyone uses them. All the time. When that happens, they become commonplace. A lot of people think you can just throw them into a story and suddenly whatever you're writing is 28% cooler. But that doesn't work. All that does is make dragons into some boring cliche.
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Second records aren't usually very good. Even Bob Dylan's was a bit disappointing.
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'You're going to be roped! And you're going to be caged! And, as for your dust speck – hah! That we shall boil in a hot steaming kettle of Beezle-Nut Oil!'
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I've got a coin with my face on it. It is really bizarre.
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We, in Syria, our point of view stems from our experience.
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Every year or so, I try to do something; it keeps me refreshed as to what's going on in front of the lens, and I understand what the actor is going through.
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A true friend is someone who thinks that you are a good egg even though he knows that you are slightly cracked.
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In the western world, you can go out, take a boat trip to the Caribbean and so forth, and buy good things with your own money. But the Russian people with rubles cannot do that.
