Masatoshi Koshiba Quotes
In the western world, you can go out, take a boat trip to the Caribbean and so forth, and buy good things with your own money. But the Russian people with rubles cannot do that.
Quotes to Explore
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Today's designers don't care if fashion has no relationship to human anatomy.
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If the reporter has killed our imagination with his truth, he threatens our life with his lies.
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I have discovered in life that there are ways of getting almost anywhere you want to go, if you really want to go.
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Anger is the enemy of non-violence and pride is a monster that swallows it up.
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I'm the diva from the future. The next gig's on the moon. Catch me while you can.
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I've been lucky enough to play roles that are not just the preppy cheerleader or sullen emo girl. I've been able to play roles that are really vast and varied and very three-dimensional. Fingers crossed that it remains the same.
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I constantly write about my safety walking to and from school, and then I would come home at night, and I would cut on the TV, and I would watch a show like 'The Wonder Years,' or I would watch, you know, some other show like 'Family Ties.'
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There are other ways of finding satisfaction, recipes for human happiness, enjoyment, dignified and meaningful, gratifying life, than increased consumption that increases production.
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Men tell me that I've saved their marriages. It costs them a fortune in shoes, but it's cheaper than a divorce. So I'm still useful, you see.
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When a guy tells me I'm cute, it's not something desirable. Cute is more like what you want your pet to be.
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I realized in the early days I just didn't edit at all. But I think you become a little more cagey with your lyrics when you know more people are going to hear them and make assumptions about you as a person. Realizing that, you want to be a little more opaque.
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Here's the thing that people don't understand: I don't really care. I've never been a careerist. It's not a strategy. I react to certain characters and story lines and specific mode of filmmaking.
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Once in awhile, there's stuff that makes me say, That's what theatre's about. It has to be a human event on the stage, and that doesn't happen very often.
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The great joy of doing 'The Daily Show' for me is that I get to sit on the fence between cultures. I am commenting on the absurdity of both sides as an outsider and insider. Sometimes I'm playing the brown guy, and sometimes I'm not, but the best stuff I do always goes back to being a brown kid in a white world.
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The battle is all over except the 'shouting' when one knows what is wanted and has made up his mind to get it, whatever the price may be.
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I'm an academic. I teach at the university, and that's where I will go back to.
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I always try to look for the hidden face of the character, the hidden face that we all have.
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The problem with dragons is that everyone uses them. All the time. When that happens, they become commonplace. A lot of people think you can just throw them into a story and suddenly whatever you're writing is 28% cooler. But that doesn't work. All that does is make dragons into some boring cliche.
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You always have to wrestle with chaos.
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I wrote 'Monster' and thought that it would solve a lot of my problems, that I'd have money in the bank, but I felt no different. I was still searching for something.
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There is an inherent dissonance between the quasi-formal world of computer programs - defining the programmed machine in each system - and the non-formal problem world of the system requirements.
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... we all need a little bit of rescuing from time to time. It doesn't make us weak.
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In the western world, you can go out, take a boat trip to the Caribbean and so forth, and buy good things with your own money. But the Russian people with rubles cannot do that.
