Masayoshi Son Quotes
Quotes to Explore
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It is essential to link enterprises on the basis of objective laws of a socialist economy and legal system.
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Where having been an actor was extremely helpful to me was in casting. That's where I think a director who has acted can really shine, and casting is the most important thing you do.
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I found out that there was this project called the 'Great Green Wall' where they wanted to plant trees across the Sahara desert, and the idea was born that I wanted to create a support structure for that initiative.
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I started playing badminton when I was probably of eight years and ever since have been playing. I didn't go to university.
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If I had the use of my body, I would throw it out the window.
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We love those who know the worst of us and don't turn their faces away.
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I don't look at myself as suffering.
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I'm into the whole American and New York vibe, not just because that's what's going on around me but because of the fit. A lot of guys are into the European cut, but I can't really pull that off with my body type - I'm tall and have big legs.
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My father felt that his world of ideas was too liberal for traditional rabbinical teachings, and he looked for a chance to find a way in life.
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No flying machine will ever fly from New York to Paris.
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That image is a couple different people's homes that I knew growing up.
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Opening doors for us, helping us with our jackets and chairs - we love all that.
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One of the saddest things about publishing is how quickly it ages what it touches. The frenzy involved in getting books on shelves, and in putting the word out that they're there, moves at a speed that is not the speed of writing, let alone of reading.
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The person who grieves suffers his passion to grow upon him; he indulges it, he loves it; but this never happens in the case of actual pain, which no man ever willingly endured for any considerable time.
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I've been lucky to work consistently on women who I think are interesting, fleshed out, and strong and active participants in their destiny.
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Maybe I'm just purely lucky. If I've come up against obstacles I've always found another way around it.
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For those who turn to literary biography for salacious details, 'Flannery' will disappoint. It is the biography of someone who had very little chance to live in the conventional sense, to experience events.
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I believe we're the party of small business.
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When Princess Leia hit the scene in 1977, she was a pretty formidable character.
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I've done about four deaths in films now, and I think it's quite good because then it's sort of a memorable moment in the film.
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You’re not supposed to dislike your own child. You were supposed to like them no matter what, even if they were not what you wanted.
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We have seen how it is originally language which works on the construction of concepts, a labor taken over in later ages by science. Just as the bee simultaneously constructs cells and fills them with honey, so science works unceasingly on this great columbarium of concepts, the graveyard of perceptions.
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First, I have to read something and find it interesting and like the story. If I don't understand it fully, but there is something in there that is interesting, then it takes a director to convince me. If he can't do that, then I don't go with it. It doesn't matter where the project comes from.
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I always take bold moves. So it can have great return but with great risk.
