Masi Oka Quotes
I would say that there's definitely some advantages with me being able to talk shop with some of the effects people. Because I come from a post-production world, I can speak shorthand with them. I don't think many other actors can say that and know how the process 100% works.
Quotes to Explore
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I suffer from an amazing amount of insecurities, and I'm grateful that my body image, it's normally not something I pay attention to.
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It's a cliche, but there really is no handbook about the celebrity thing; you have to figure it out as you go along.
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The sweeping, unfocused cuts of sequestration are certain to have unintended negative consequences, including for America's small businesses.
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I am cursed with computers; something always goes wrong.
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I am very lucky I got fans, and I interact with them personally. I know that they have poured their love on me unconditionally, and all I can do is work hard and be kind to them.
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Hors D'oeuvre: A ham sandwich cut into forty pieces.
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Dealing with the government does not mean you have to give a bribe.
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I can get a better grasp of what is going on in the world from one good Washington dinner party than from all the background information NBC piles on my desk.
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There's a great tradition in storytelling that's thousands of years old, telling stories about kings and their palaces, and that's really what I wanted to do.
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To be outspoken is easy when you do not wait to speak the complete truth.
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On banks, I make no apology for attacking spivs and gamblers who did more harm to the British economy than Bob Crow could achieve in his wildest Trotskyite fantasies, while paying themselves outrageous bonuses underwritten by the taxpayer. There is much public anger about banks and it is well deserved.
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Put variety into your mental bill of fare as well as into your physical. It will pay you rich returns.
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I like freedom. I wake up in the morning and say, 'I don't know, should I have a popsicle or a donut?' You know, who knows?
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Fashion is unique. It's a leveler, not a divider.
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Russia can be quite a dangerous place sometimes, but I never think about it.
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When I did 'Hot Fuzz,' I tried to get Barbara Steele in the movie, but I was told she had retired.
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I prefer the countryside to cities. This is also true of my films: I have made more films in rural societies, and villages, than in towns.
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I have to be smart. You cannot be going in there, trying to go forward and pressure guys, and be taking damage and getting hurt on the way to doing it.
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I am surprised that I cannot recall whether my desire to become a minister transformed itself into a wish to lead the more militant life of missionary, by a slow process or suddenly.
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In our modern world we have seen inaugurated the reign of a dull bourgeois rationalism, which finds some inadequate reason for all things in heaven and earth and makes a god of its own infallibility.
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It's a different way of getting across an emotion. You're trying to get it across to the animator because the animator is inspired by the voicetrack in terms of how to animate the character.
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I'd had 12 different job titles in publishing before I typed 'The End' at the bottom of a manuscript page. I thought the manuscript was in great shape; I was pretty proud of myself. Then I sent it to some publishing friends, and they tore it apart.
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Either we change our ways, especially the United States, or we will continue to lead the world in heart disease and cancer.
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I would say that there's definitely some advantages with me being able to talk shop with some of the effects people. Because I come from a post-production world, I can speak shorthand with them. I don't think many other actors can say that and know how the process 100% works.
