Ian Mcewan Quotes
Novelists have to be adept at controlling the flow of information, and, most crucially, they have to be in charge of the narrative.
Quotes to Explore
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I have had it up to here with the prosecutions, the government's attitude, the judiciary, the media's stance and the majority of Turks who view the Kurdish people's justified cause through a nationalist lens.
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Being a club pro and all, a guy trying to keep up with golf's modern technology, I hadn't found much time for Internet dating, but then one day I knew I'd met the girl of my dreams when she replied to a comment I'd made on You-and-Me.com. She said, 'I love it when you talk equipment to me.'
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I have an ambition to write a great book, but that's really a competition with myself. I've noticed that a lot of young writers, people in all media, want to be famous but they don't really want to do anything. I can't think of anything less worth striving for than fame.
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I know conventional wisdom has always been to go to Europe, and I did that early on, and I tried it, but I realised pretty quickly if I wasn't playing, nothing else mattered - I wasn't going to be happy.
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There have been a lot of exercises and I've had to force myself to go out for walks even when I didn't feel like it, but apart from that, I am a lot better.
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If I wasn't going to be a surgeon, I wanted to be a farmer or grow oranges or something like that. I grow flowers now - orchids. That is something that I find very interesting.
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One can't do anything alone in Haiti. Sharing and cooperation are so deeply woven into the culture that sometimes it's hard to have a separate thought.
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Cross the wrong state border with your gun, or wake up one morning to new legislation or a new presidential executive order, and suddenly you're the bad guy, not the good guy. No wonder some gun owners seem so touchy; they feel, at some level, like criminals in waiting.
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Let us have peace.
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After watching me in a larger-than-life character in 'Magadheera,' the audiences didn't accept me as a college–going boy in 'Orange.'
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The field of 'economics and organization' is still young and needs support. I have been a chaired professor much of my academic life and know that such chairs are important for recruiting and retaining faculty.
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When I realised that I had feelings for men as well as women, at first I was worried and frightened, and there was a certain amount of 'Who am I? Am I a criminal?' and so on. It took me a long time to come to terms with myself. Those were painful years - painful then and painful to look back on.
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I have often heard that the novel is dead. But I see novels produced, I don't know how many a week, in France. I have the impression it's carrying along quite well.
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It's always been a dream of mine to get somewhere and to have my mom and dad with me up there.
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I used to write bits and pieces of comedy material for various comics that were at the Windmill... as well as my film job, I was under contract, I was allowed to do that and everything.
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Members of great teams confront each other when they see something that isn't serving the team.
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We are going to have to discuss with and seek the opinions of other countries. We don't wish to offend anyone, least of all a country we hold in such deep regard as the United Kingdom.
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I began to understand my sensations, to know what I wanted, at around the age of forty - but only vaguely.
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Normally, we think of the religious as people who care more, not less than the rest of us. This is not true, not exactly. The truly religious care more deeply about fewer things and do't give a hoot about the rest.
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It's an interesting but useless bit of information that every single character in 'The Lord of the Rings' and 'The Hobbit' wears a wig, and many of them wears a prosthetic - false ears, feet, hands. In my case, nose.
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It seemed like the more complex the music we were playing, the less able we were to guarantee its consistency.
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I've worked very hard, but my life's always been fun.
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Novelists have to be adept at controlling the flow of information, and, most crucially, they have to be in charge of the narrative.
