Ian Mcewan Quotes
Quotes to Explore
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There is a recurring temptation for any nation, and for any writer who operates within its field of force, to make an ornament of the past: to turn the losses to victories and to restate humiliations as triumphs.
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I was raised Catholic in Rockford, Illinois. But I'm not a practicing Catholic anymore. Oh God, no.
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I am really curious about life, about why we are all here. I notice my skin is ageing, things are changing, I've seen people dying, so that's the train we are all on.
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'Giving 2.0' frames giving as a learning experience and encourages everyone to make giving a part of your year-round life.
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It's quite rare that you find models taken care of backstage.
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Being a public servant, this is a serious job, not like a boxer, you're entertaining people.
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The mountains, the forest, and the sea, render men savage; they develop the fierce, but yet do not destroy the human.
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Painting bodies with the patterns of Kusama's hallucinations obliterated their individual selves and returned them to the infinite universe.
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I am very different to how people think I am. It's the characters I play that they are responding to.
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I have odd thumbs that are extremely flexible. I can bend them quite far down the back side of my hand, basically the opposite side you'd even try to attempt bending your thumb. Because of that, I'm a very good thumb wrestler.
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In China, we don't know about the swimming pool game, but we know about Marco Polo.
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After I recovered from 'Lioness', I wanted to write something about animals because I really like mythical creatures, especially dragons. At 12, I was one of those semi-recluses who did better with animals than people. Out of that, came the character, Daine, who could communicate with animals.
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I mean, I would have loved to have kept on being a big television star. If that's the way things would have broke, I would have loved to have done that. I just didn't really want to continue and be someone who took whatever was offered.
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I always tell students that writing a poem and publishing it are two quite separate things, and you should write what you have to write, and if you're afraid it's going to upset someone, don't publish it.
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My parents spent 16 years hauling my butt to L.A. for audition after audition. I remember always hoping I could help take care of them because they took such good care of me.
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The hardest thing about being an unpublished writer is that there's always that voice in your head that asks if you're really being a fool. You might just really stink and not know it. You have to have a lot of blind faith in the process. You have to like it so much that you're going to do it anyway.
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In many cases your imagination is much more effective than what can be shown. It primes you to know something is about to happen - the anticipation and anxiety is worse than what ends up happening.
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I don't like to Google myself. I try and avoid it whenever I can.
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When I was 24 I went to Nigeria and it was such a culture shock, growing up in Australia and suddenly being the only white man in this unit full of black men.
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The diplomacy of the present administration has sought to respond to the modern idea of commercial intercourse. This policy has been characterized as substituting dollars for bullets.
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I think because I've gotten permission from my style icons like Tim Gunn and André Leon Talley, who say to me, "You don't need to dress like anyone else, because you're your own fashion icon. You represent comfortable. And you do fashion your way, and you should be at Fashion Week." They gave me permission to enjoy it! And it's great!
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Every man who becomes heartily and understandingly a channel of the Divine beneficence is enriched through every league of his life. Perennial satisfaction springs around and within him with perennial verdure. Flowers of gratitude and gladness bloom all along his pathway, and the melodious gurgle of the blessings be bears is echoed back by the melodious waves of the recipient stream.
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I did a lot of reading of first person accounts from Koreans and combatants and aid workers. And I spoke to relatives. A lot of wonderful photographs were made available to me from that period - 1950-1956 - and those were given to me by a Korean newspaper in Seoul. Ruined villages, refugees streaming through a river valley, GI's and orphans and orphanages, those tiny details that you can only see in a picture.
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Reading reviews makes you thin-skinned. It's like waves washing layers off your skin.
