Ian Mcewan Quotes
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For the professors in the academy, for the humanities generally, misery is more amenable to analysis: happiness is a harder nut to crack.
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I don't really believe in evil at all.
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He was looking at her with amused suspicion. There was something between them, and even she had to acknowledge that a tame remark about the weather sounded perverse.
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Some people are tied to five hundred words a day, six days a week. I'm a hesitater.
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Now, I'm an atheist. I really don't believe for a moment that our moral sense comes from a god.
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How can a novelist achieve atonement when, with her absolute power of deciding outcomes, she is also God?
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What reader wants to be told what attitude to strike?
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In a nuclear age, and in an age of serious environmental degradation, apocalyptic belief creates a serious second order danger. The precarious logic of self-interest that saw us through the Cold War would collapse if the leaders of one nuclear state came to welcome, or ceased to fear mass death.
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I think of novels in architectural terms. You have to enter at the gate, and this gate must be constructed in such a way that the reader has immediate confidence in the strength of the building.
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I apologize for being obvious, but every time I watch the curtain come down on even a halfway decent production of a Shakespeare play I feel a little sorrowful that I'll never know the man, or any man of such warm intelligence.
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If I could write the perfect novella I would die happy.
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London in the '70s was a pretty catastrophic dump, I can tell you. We had every kind of industrial trouble; we had severe energy problems; we were under constant terrorist attack from Irish terrorist groups who started a bombing campaign in English cities; politics were fantastically polarized between left and right.
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I've never had a moment's doubt. I love you. I believe in you completely. You are my dearest one. My reason for life.
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And she did not miss his presence so much as his voice on the phone. Even being lied to constantly, though hardly like love, was sustained attention; he must care about her to fabricate so elaborately and over such a long stretch of time. His deceit was a form of tribute to the importance of their marriage.
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It wasn't torpor that kept her - she was often restless to the point of irritability. She simply liked to feel that she was prevented from leaving, that she was needed.
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I'm sorry to say that far worse things have happened and the literature of the Holocaust is a witness to the capacity of the novel as a form.
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It wasn't only wickedness and scheming that made people unhappy, it was confusion and misunderstanding; above all, it was the failure to grasp the simple truth that other people are as real as you.
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It's the essence of a degenerating mind periodically, to lose all sense of continuous self, and therefore any regard for what others think of your lack of continuity.
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She would simply wait on the bridge, calm and obstinate, until events, real events, not her own fantasies, roe to her challenge, and dispelled her insignificance.
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It is shaming sometimes how the body will not, or cannot, lie about emotions. Who, for decorum’s sake, has ever slowed his heart, or muted a blush?
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Without a revolution of the inner life, however slow, all our big designs are worthless. The work we have to do is with ourselves if we're ever going to be at peace with each other...the good that flows from it will shape our societies in an unprogrammed, unforeseen way, under the control of no single group of people or set of ideas.
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He saw that no one owned anything really. It's all rented, or borrowed. Our possessions will outlast us, we'll desert them in the end.
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We know so little about each other. We lie mostly submerged, like ice floes, with our visible social selves projecting only cool and white.
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Someone once asked me "If your life could be extended to 150 and you could start another career, would you?" And I said "No, thanks, I think I'll stick at this."