Ian Mcewan Quotes
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He knew these last lines by heart and mouthed them now in the darkness. My reason for life. Not living, but life. That was the touch. And she was his reason for life, and why he must survive.
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Reading groups, readings, breakdowns of book sales all tell the same story: when women stop reading, the novel will be dead.
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I'm delighted when people respond with passion and readily intensity to my work. Literature is not as the economist would put it a positional good; in other words, there is infinite space for good literature.
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Most of humanity gets by without reading novels or poetry, and no one would deny the richness of their thoughts.
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The cost of oblivius daydreaming was always this moment of return, the realigment with what had been before and now seemed a little worse. Her reverie, once rich in plausible details, had become a passing silliness before the hard mass of the actual. It was difficult to come back.
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In the first half of the 20th Century, we lived through human disasters on a scale unimaginable. The Holocaust was once suggested would be the end of not only civilization, but art, too.
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Screenwriting is an opportunity to fly first class, be treated like a celebrity, sit around the pool and be betrayed.
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Who you get, and how it works out - there's so much luck involved, as well as the million branching consequences of your conscious choice of a mate, that no one and no amount of talking can untangle it if it turns out unhappily.
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Dying in unfamiliar surroundings miles away from home, it cannot possibly be good. There is a great sadness about that I think.
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It troubles him to consider the powerful currents and fine-tuning that alter fate, the close and distant influences, the accidents of character and circumstance.
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I find it very difficult to talk about unwritten works. It's never useful to start putting words casually around the flimsiest of notions. I finished Saturday only in late November and I'm now in the rather pleasant stage of traveling, reading and waiting.
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I watched our friends' wary, intelligent faces droop at our tale. Their shock was a mere shadow of our own, resembling more the goodwilled imitation of that emotion, and for this reason it was a temptation to exaggerate, to throw a rope of superlatives across the abyss that divided experience from its representation by anecdote.
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I was the basest of readers. All I wanted was my own world, and myself in it, given back to me in artful shapes and accessible form.
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The cost of oblivious daydreaming was always this moment of return, the realignment with what had been before and now seemed a little worse.
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There was, in my view, an unwritten contract with the reader that the writer must honour. No single element of an imagined world or any of its characters should be allowed to dissolve on an authorial whim. The invented had to be as solid and as self-consistent as the actual. This was a contract founded on mutual trust.
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Girls can wear jeans and cut their hair short and wear shirts and boots because it's okay to be a boy; for girls it's like promotion. But for a boy to look like a girl is degrading, according to you, because secretly you believe that being a girl is degrading.
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When people ask, "Is there any advice you'd give a young writer?," I say write short stories. They afford lots of failure. Pastiche is a great way to start.
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Love doesn't grow at a steady rate, but advances in surges, bolts, wild leaps, and this was one of those.
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Twenty years ago I might have hired a professional listener, but somewhere along the way I had lost faith in the talking cure. A genteel fraud in my view.
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We knew so little about eachother. We lay mostly submerged, like ice floes with our visible social selves projecting only cool and white. Here was a rare sight below the waves, of a man's privacy and turmoil, of his dignity upended by the overpowering necessity of pure fantasy, pure thought, by the irreducible human element - Mind.
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These memories sustained him, but not so easily. Too often they reminded him of where he was when he last summoned them. They lay on the far side of a great divide in time, as significant as B.C. and A.D. Before prison, before the war, before the sight of a corpse became a banality.
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A story was a form of telepathy. By means of inking symbols onto a page, she was able to send thoughts and feelings from her mind to her reader's. It was a magical process, so commonplace that no one stopped to wonder at it.
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The trouble with being a daydreamer who doesn’t say much is that the teachers at school, especially those who don’t know you very well, are likely to think you’re rather stupid. Or, if not stupid, then dull. No one can see the amazing things that are going on in your head.
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This is the pain-pleasure of having newly adult children; they're innocent and ruthless in forgetting their sweet old dependence.